{"title":"Pendants","description":"\u003cp\u003eOur pendant designs range from the popular designs, such as cross pendants, heart pendants, cameo pendants, lockets, to pretty negligée pendants. We have pendants set with heavenly coloured gemstones along with gold and platinum diamond set pendants from the Victorian and Edwardian eras.\u003c\/p\u003e","products":[{"product_id":"art-deco-pearl-diamond-and-platinum-pendant-circa-1930","title":"Art Deco Pearl Diamond and Platinum Pendant, Circa 1930","description":"\u003cp\u003eAn Art Deco pearl and diamond pendant, with the centre filled with rows of cultured \/ natural seed pearls, which were added more recently, surrounded by a rose cut diamond set frame, with a natural pearl to each side, with a fluted, fan shaped cap and base, grain set with rose-cut diamonds, on a diamond set bail, mounted in platinum, circa 1930.\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63797242822986,"sku":"3395P","price":8500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/art-deco-pearl-diamond-and-platinum-pendant-circa-1930_0d89c5f8-fee5-4da0-8c1c-b95e237bdc5f.jpg?v=1791140468"},{"product_id":"modern-ruby-diamond-and-18ct-gold-pendant-3-19ct","title":"Modern Ruby Diamond and 18ct Gold Pendant, 3.19ct","description":"\u003cp\u003eA ruby and diamond pendant, set with a 3.19ct cushion shaped, faceted, mixed-cut ruby, in a four claw setting, with three, graduating, round brilliant cut diamonds grain set in the bail, mounted in 18ct gold, on a 16\" 18ct yellow gold, 1.5mm trace chain. Accompanied by Gemmological Certification Services certificate number 5782-915, stating that the ruby is natural, with no evidence of heat treatment and the origin has characteristics consistent with rubies originating from Vietnam.\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63797294891338,"sku":"S211114P","price":12000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/modern-ruby-diamond-and-18ct-gold-pendant-3-19ct_85ed12f7-64e2-4b7d-bb8d-fdc96ef467fb.jpg?v=1791141219"},{"product_id":"vintage-opal-diamond-amethyst-and-gold-bee-pendant","title":"Vintage Opal, Diamond Amethyst and Gold Bee Pendant","description":"\u003cp\u003eA vintage gem set bee pendant, with an oval cabochon cut opal, set in the abdomen and a round, cabochon-cut amethyst set in the thorax, with articulating openwork wings, set with eight-cut diamonds, and ruby set eyes, mounted in 18ct gold, with white gold settings for the diamonds, stamped 750, on a trace chain.\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63797298692426,"sku":"S22415P","price":18500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/vintage-opal-diamond-amethyst-and-gold-bee-pendant_40856d54-b92c-4bbe-8f4f-964863e9d8bd.jpg?v=1791141318"},{"product_id":"modern-mandala-diamond-and-platinum-pendant-on-black-cord","title":"Modern Mandala Diamond and Platinum Pendant on Black Cord","description":"\u003cp\u003eA modern, Edwardian style mandala diamond pendant, set with a central old-cut diamond, weighing 1.08ct, surrounded by 3.21ct of rose-cut and old-cut diamonds, on a lace like background, mounted in platinum, with millegrain edges on a black cord, with an old-cut and rose-cut diamond set sliding adjuster and rose-cut diamond set terminals.\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63797308817738,"sku":"S81116P2","price":35000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/modern-mandala-diamond-and-platinum-pendant-on-black-cord_f24517ac-9339-48db-9a84-c43d239514ba.jpg?v=1791141599"},{"product_id":"diamond-and-white-gold-cross-pendant-0-72ct","title":"Diamond and White Gold Cross Pendant, 0.72ct","description":"\u003cp\u003eA diamond cross pendant, set with a central round brilliant-cut diamond, surrounded by baguette-cut diamonds, weighing a total of 0.72ct, mounted in 18ct white gold. \u003c\/p\u003e, \u003cp\u003eThe cross measures approximately 16 x 24mm.\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63797321859402,"sku":"S28917P1","price":2950.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/diamond-and-white-gold-cross-pendant-0-72ct_43b1b402-4152-49cc-9c51-9536b42efe2f.jpg?v=1791141718"},{"product_id":"diamond-and-white-gold-cross-pendant-0-69ct","title":"Diamond and White Gold Cross Pendant 0.69ct","description":"\u003cp\u003eA modern diamond cross pendant, set with a central round brilliant cut diamond, surrounded by baguette cut diamonds, weighing a total of 0.69ct, mounted in 18ct white gold. The cross measures approximately 16 x 24mm.\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63797322056010,"sku":"S28917P2","price":1900.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/diamond-and-white-gold-cross-pendant-0-69ct.jpg?v=1791141726"},{"product_id":"vintage-tiffany-co-gem-set-pearl-and-gold-pendant-brooch-circa-1937","title":"Vintage Tiffany \u0026 Co. Gem Set, Pearl and Gold Pendant Brooch, Circa 1937","description":"\u003cp\u003eA vintage, Tiffany \u0026amp; Co., gem set, diamond and pearl floral circle pendant-brooch, with four clusters of three pearls, and four gem set flowers or clover leaves, each flower set with an old-cut diamond, surrounded by three gem set petals including mixed colours of sapphire, amethyst and peridot, on knife edge spacers, set in 14ct yellow gold, stamped 14K, signed Tiffany \u0026amp; Co, engraved Y.T.T., D.F.B., June 9-1922 -.- June 9 -1937, with a foldable pendant loop. This delightful brooch was probably given as a 15th wedding anniversary gift.\u003c\/p\u003e","brand":"Tiffany \u0026 Co","offers":[{"title":"Default Title","offer_id":63797322481994,"sku":"S251017B1","price":6500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/vintage-tiffany-co-gem-set-pearl-and-gold-pendant-brooch-circa-1937_d628adf1-cb2c-4787-81fc-e4a1ca059978.jpg?v=1791141743"},{"product_id":"giuliano-enamel-peridot-moonstone-garnet-and-gold-pendant-circa-1885","title":"Giuliano Enamel, Peridot, Moonstone, Garnet and Gold Pendant, Circa 1885","description":"\u003cp\u003eA Carlo Giuliano enamel, peridot, moonstone, garnet and gold pendant with a cabochon-cut peridot, in the centre of a cluster of eight, cabochon-cut moonstones, with a blue, white, black and red enamelled fleur-de-lys surround, bordered by a circle of white spotted black enamel, with a briolette-cut garnet pendant, with a black, blue and white enamelled cap and a black and white enamelled pendant bail, mounted in gold, circa 1885.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e, \u003cp\u003e\u003cspan\u003eCarlo Giuliano (1831-1895) was a jeweller and goldsmith, born in Naples, Italy in 1831, it’s believed that Giuliano was trained in Alessandro Castellani’s workshop in Rome,\u003c\/span\u003e and later sent to London to establish a branch of the Casa Castellani.\u003c\/p\u003e, \u003cp\u003e\u003cspan\u003eAfter leaving Castellani’s employment in the early 1860’s, Giuliano opened his own workshop manufacturing jewellery at 13 Frith Street in Soho. During this time, without a shopfront, Giuliano retailed his jewels through a number of established and well-respected jewellers such as Robert Phillips, C.F. Hancock, Harry Emanuel and Hunt \u0026amp; Roskell. Items produced for these retailers were sometimes “double-marked” with the C.G. Goldsmith’s Hall registered mark for Giuliano and the mark of the seller. \u003c\/span\u003e\u003c\/p\u003e, \u003cp\u003e\u003cspan\u003eGiuliano’s early work took inspiration from archaeological jewellery, and focused on revivalist designs, carefully adapting them to suite the taste and fashions of the period. \u003c\/span\u003e\u003c\/p\u003e, \u003cp\u003e\u003cspan\u003eIn 1874, he branched out, opening a retail outlet at 115 Piccadilly, following it’s success, he closed the workshop on Frith Street in 1877, moving all production in-house to the Piccadilly premises. Specialising in Renaissance-style design, Giuliano was known for his craftsmanship and the renowned pieces, decorated with beautifully detailed enamel, pearls and a wide variety of gems, preferring cabochons to the usual faceted stones, were highly regarded and attracted a varied and loyal clientele.\u003c\/span\u003e His work was commissioned by Royalty such as Queen Victoria as a gift for her goddaughter Victoria Gray. This piece, along with many others from Giuliano’s collection, can be viewed at the Victoria \u0026amp; Albert Museum in London.\u003c\/p\u003e, \u003cp\u003e\u003cspan\u003eCarlo Giuliano died in 1895, leaving his business to his two sons, Carlo Joseph and Arthur Alphonse. They renamed the company Carlo \u0026amp; Arthur Giuliano, bearing the makers mark C \u0026amp; AG. The brothers continued to operate from the premises in Piccadilly until 1912, when they moved to 48 Knightsbridge. Sadly, two years later, the tragic suicide of Arthur in August 1914, brought an end to the company.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63797352923466,"sku":"S30519P2","price":20500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/giuliano-enamel-peridot-moonstone-garnet-and-gold-pendant-circa-1885_132103b6-b176-4298-afb7-3bc65ec5d12a.jpg?v=1791141878"},{"product_id":"art-deco-diamond-and-platinum-necklace-circa-1920-18-75-carats","title":"Art Deco Diamond and Platinum Necklace, Circa 1920 18.75 Carats","description":"\u003cp\u003eAn Art Deco diamond necklace, designed as an old-cut diamond weighing an estimated 3.75ct, set in the centre of a floral cluster motif and suspended within an articulated old-cut diamond surround, further suspended from an integrated pavé set diamond line necklace, mounted in platinum, circa 1920. Estimated total diamond weight 18.75ct. Length of necklace approximately 56cm.\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63797407318346,"sku":"XSC\u0026SL2321N7","price":45000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/art-deco-diamond-and-platinum-necklace-circa-1920-18-75-carats_991d008e-4b9c-4e1b-b6c1-bd18bae6333e.jpg?v=1791142239"},{"product_id":"french-retro-modernist-smoky-quartz-and-gold-pendant-circa-1970","title":"French Retro Modernist Smoky Quartz and Gold Pendant, Circa 1970","description":"\u003cp\u003eA French retro modernist smoky quartz and gold pendant, with a square, shaded tile of smoky quartz, held by a surround of rectangular heavy gold wire, with abstract, geometric gold, Mondrian influenced, decoration, typical of the period, on a simple gold loop bail, with a French eagle mark for 18ct gold and a partial maker's mark, circa 1970.\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63797412168010,"sku":"S81221P","price":2450.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/french-retro-modernist-smoky-quartz-and-gold-pendant-circa-1970_31ea2430-6642-4fff-a8a6-f6bdfd31502e.jpg?v=1791142333"},{"product_id":"antique-amethyst-and-gold-rivi-re-necklace-and-cross-pendant-circa-1880","title":"Antique Amethyst and Gold Riviére Necklace and Cross Pendant, Circa 1880","description":"\u003cp\u003eAn antique amethyst and gold riviére necklace with large, oval faceted, graduated amethysts, in open backed cut down bezel settings, and an amethyst set box and tongue clasp, with a removable cross pendant brooch, mounted in 15ct gold, circa 1880. Estimated total weight of amethysts in necklace 190.47ct. Estimated total weight of amethysts in pendant 49.94ct.\u003c\/p\u003e, \u003cp\u003eSome of the earliest examples of amethyst jewellery are seen in works from Egypt. The ancient Greeks believed amethyst protected them from drunkenness and excess. The name derives from the Greek amethystos - \"methustos\" meaning intoxicated, with the prefix \"a\" meaning \"not\". It is thought the myth stems from the story of the titan Rhea giving Dionysus, the god of wine and madness, an amethyst to protect him. Amethyst is also known as the stone of St. Valentine, leading to the belief that it represented pure, chaste love. Until the 1700s Amethyst was seen as one of the cardinal gemstones, which were the most valuable gems and ranked in value amongst sapphire, ruby and emerald. It was especially popular during the Victorian period, with its rich purple colour and clarity being particularly effective in candlelight. Today its beautiful, vivid purple shades are highly sought after by gem collectors.\u003c\/p\u003e, \u003cp\u003eWith thanks to Laura Preshong and First Class Watches.\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63797446017354,"sku":"XAN23925N","price":29000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/antique-amethyst-and-gold-rivi-re-necklace-and-cross-pendant-circa-1880_d75f10e6-efd4-4d58-b3c3-0c48c49e9fcf.jpg?v=1791142438"},{"product_id":"georgian-ruby-emerald-diamond-and-gold-cannetille-brooch-cum-pendant-circa-1830","title":"Georgian Ruby Emerald Diamond and Gold Cannetille Brooch-Cum-Pendant, Circa 1830","description":"\u003cp\u003eA Georgian cannetille brooch-cum-pendant, with a cushion shaped emerald in the centre, surrounded by a cluster of eight, old mine-cut diamonds, with six, oval faceted rubies and six square emeralds in the surround, with the settings, granulation, cannetille twisted wirework and florets soldered onto an oval shaped, scalloped edged, embossed, granulated plate, giving a three dimensional effect, mounted in gold, circa 1830, with a double twist bail and a later pin.\u003c\/p\u003e, \u003cp\u003eCannetille work was in fashion from 1815 to 1840. It was inspired by embroidery, particularly styles seen in peasant clothing. It was made by soldering thin threads, forming scrolls, rosettes and coils together to form a three dimensional design, often embellished with granulation. It became popular during this era due to the shortage of gold, in Europe, because of the Napoleonic wars. This technique could produce larger, ornate looking pieces, using less gold and comparatively cheaper gems. The considerable time and skill involved was balanced by low labour costs. The jewels were often embellished with coloured gemstones, such as aquamarine, pink topaz, amethyst and chrysoberyl. Czech garnets, turquoise and opals were often set in pieces from central Europe. Rubies were seen in English cannetille items. The settings were usually closed backed and foiled. The taste for and manufacture of cannetille jewellery decreased in the 1840s. Cannetille was at its height of popularity around 1830. \u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63797448114506,"sku":"XAN26922B2","price":10000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/georgian-ruby-emerald-diamond-and-gold-cannetille-brooch-cum-pendant-circa-1830_727fccac-2d02-4276-a2c7-0787c3d9b37b.jpg?v=1791142478"},{"product_id":"new-pear-shape-aquamarine-diamond-and-white-gold-pendant-21-55-carats","title":"New Pear Shape Aquamarine Diamond and White Gold Pendant, 21.55 Carats","description":"\u003cp\u003eA modern aquamarine and diamond pendant, with a diamond set top section, set with a round brilliant-cut diamond above two baguette-cut diamonds astride a smaller round brilliant-cut diamond, in claw settings, suspending a pear shape aquamarine drop, in a four claw mount, mounted in 18ct white gold. The estimated total weight of the aquamarine is 21.55 carats. The given total weight of diamonds is 0.51 carats, on an 18\" long, platinum, 1.9mm wide, trace chain, with a lobster clasp.\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63797452538186,"sku":"S251122P","price":13500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/new-pear-shape-aquamarine-diamond-and-white-gold-pendant-21-55-carats_2200eb01-c849-41a6-a9c8-ce88595ea2de.jpg?v=1791142547"},{"product_id":"georgian-cannetille-gold-snake-necklace-with-amethyst-and-emerald-cross-pendant-circa-1830","title":"Georgian Cannetille Gold Snake Necklace with Amethyst and Emerald Cross Pendant, Circa 1830","description":"\u003cp\u003eA Georgian cannetille snake necklace, with an amethyst and emerald cross pendant; with the snake chain worked in fine, flexible cannetille wire link work, with embossed snake heads at either end, set with faceted rubies, for the eyes; the snakes are clasping the top of the amethyst and emerald pendant, which is decorated with cannetille rosettes and set with an oval faceted amethyst and two cushion emeralds; the removable cross pendant has embossed sections and granulation and is set with cushion and square faceted amethysts, with pear shape and cushion faceted emeralds, mounted in 18ct gold, circa 1830.\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63797453095242,"sku":"S251122N","price":23000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/georgian-cannetille-gold-snake-necklace-with-amethyst-and-emerald-cross-pendant-circa-1830_5789ab84-e5b4-4ce4-8a0b-5bb021d52da9.jpg?v=1791142564"},{"product_id":"modern-diamond-and-platinum-pendant-2-73-carats","title":"Modern Diamond and Platinum Pendant, 2.73 Carats","description":"\u003cp\u003eA diamond and platinum pendant, of three graduating open squares, with grain set, round brilliant-cut, diamonds, with two diamonds above and diamond drop pendants in the centre of the squares and suspending from the sides, in rub over settings, with approximately 2.73 carats of diamonds, with millegrain edges, mounted in platinum, on a fine platinum trace chain with jump and bolt ring clasp.\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63797463712074,"sku":"S5423P","price":5800.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/modern-diamond-and-platinum-pendant-2-73-carats_6a6d4bdd-4a7c-4071-8fc1-dedea06e6342.jpg?v=1791142686"},{"product_id":"vintage-merrin-french-diamond-and-gold-mesh-flower-pendant-circa-1960","title":"Vintage Merrin French Diamond and Gold Mesh Flower Pendant, Circa 1960","description":"\u003cp\u003eA vintage Merrin French diamond and gold mesh pendant, designed with articulated, gold edged, gold mesh opening and closing petals, surrounding trembling stamens, set with round brilliant-cut diamonds, in four claw settings, onto gold sepals and ribbed finished leaves, mounted in 18ct yellow gold, signed MERRIN, France, 18KT, with and RS makers mark, with a horseshoe, circa 1960. Estimated total diamond weight 0.42 carats.\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63797465153866,"sku":"S30523P","price":6000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/vintage-merrin-french-diamond-and-gold-mesh-flower-pendant-circa-1960_7c033648-fbc3-4a33-8e91-44ff73de2749.jpg?v=1791142713"},{"product_id":"vintage-amethyst-cultured-pearl-and-gold-heart-brooch-pendant-circa-1970","title":"Vintage Amethyst, Cultured Pearl and Gold Heart Brooch Pendant, Circa 1970","description":"\u003cp\u003eA vintage amethyst and cultured pearl heart brooch-cum-pendant, set with a large, faceted, heart shaped amethyst, in a millegrain edged rub over setting, surrounded by 24 cultured pearls, mounted in 14ct gold, with a pin with a safety hook, with a hinged dropping bail so it can be worn as a pendant, with a pin and safety hook catch, stamped 14K, circa 1970. Estimated amethyst weight 75.00 carats.\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63797465284938,"sku":"S2623B","price":5000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/vintage-amethyst-cultured-pearl-and-gold-heart-brooch-pendant-circa-1970_6182b1f4-47d1-4328-b708-997556b189b4.jpg?v=1791142722"},{"product_id":"georgian-diamond-and-silver-flower-pendant-circa-1790","title":"Georgian Diamond and Silver Flower Pendant, Circa 1790","description":"\u003cp\u003eA Georgian old cut diamond flower pendant, with six petals and a diamond set halter, mounted in silver, with scratched inventory marks 7142 C3\/-1-, of English origin, circa 1790.\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63797484192074,"sku":"XAN251023P","price":9950.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/georgian-diamond-and-silver-flower-pendant-circa-1790_3c2126fa-8efe-4ade-9cf7-81c94da6971c.jpg?v=1791142864"},{"product_id":"antique-pearl-diamond-platinum-and-gold-cluster-pendant-circa-1910","title":"Antique Pearl Diamond Platinum and Gold Cluster Pendant, Circa 1910","description":"\u003cp\u003eAn antique, pearl and diamond cluster pendant, with a silver white natural bouton pearl, in the centre of a diamond cluster, of eight alternating larger and smaller old-cut diamonds, in claw crown and heart settings, mounted in platinum-upon-gold, with a pierced star in the back, on a bail set with three, old-cut diamonds, circa 1910, on a fine platinum trace chain, with box and tongue clasp and safety catch, accompanied by GCS certificate 5784-0989, stating that the pearl is natural, saltwater, of the pteriidae family and measures 8.9 x 9 x 7.5mm.\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63797537079626,"sku":"S15124P","price":16000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/antique-pearl-diamond-platinum-and-gold-cluster-pendant-circa-1910_f754b0bf-e498-41a3-af5f-46d011c9ebb4.jpg?v=1791142972"},{"product_id":"antique-italian-micromosaic-and-gold-brooch-cum-pendant-and-earrings-suite-circa-1850","title":"Antique Italian Micromosaic and Gold Brooch-Cum-Pendant and Earrings Suite, Circa 1850","description":"\u003cp\u003eAn antique Italian micromosaic and gold brooch-cum-pendant and earrings suite. The pendant has a gold bale, with granulated Etruscan style work, the central micromosaic features Cupid, with the sky as the background, with a circular surround of Etruscan style granulation and wirework and blue, white and red micromosaics, with three pendant drops, set with micromosaics, with white flowers on a red background, with a shepherd hook on the back for the removable bale and a pin and catch fitting, with studio marks on the back and pin. The earrings feature a micromosaic cherub, on a pale blue background, with a circular surround of Etruscan style granulation and wirework, with micromosaic circle tops, with forget-me-nots, on a red background, with gold bars below, with three pendant drops, set with micromosaics, with white flowers on a red background, with studio marks on the back and Vatican marks on the wires, mounted in gold, circa 1850, in a fitted case.\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size:8.5pt;line-height:107%;font-family:Verdana, sans-serif;\"\u003eMosaics are an ancient form of decoration, made of tiles, tesserae in Italian, from the Greek tesseris, referring to their four sided shapes. Earlier mosaics were made of stone and glass. Micromosaic utilised enamel, made of fused silica, with minerals to produce the required colours. The shapes were circular or cubic and known as “loaves”.\u003c\/span\u003e\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size:8.5pt;line-height:107%;font-family:Verdana, sans-serif;\"\u003eThey flourished in the Roman, Byzantine and medieval periods. The Vatican Mosaics Studio was established at the end of the 16\u003csup\u003eth\u003c\/sup\u003e century. It was responsible for the maintenance of the works of art in St. Peter’s Basilica.\u003c\/span\u003e\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size:8.5pt;line-height:107%;font-family:Verdana, sans-serif;\"\u003eProduction of micromosaics date from the end of the 18\u003csup\u003eth\u003c\/sup\u003e century. Earlier designs were inspired by neoclassical allegorical themes, these were followed by flowers, animals and the well-known ruins of Rome. Due to growing demand of micromosaics the Workshop of St. Peter was set up, in 1795 as a branch of the Mosaics Studio.\u003c\/span\u003e\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size:8.5pt;line-height:107%;font-family:Verdana, sans-serif;\"\u003eThe Pope presented some of the finest works to visiting diplomats and sovereigns. They began to circulate more widely and gained prestige among the wealthy and those on the Grand Tour.\u003c\/span\u003e\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size:8.5pt;line-height:107%;font-family:Verdana, sans-serif;\"\u003eCraftsmen who had trained in the workshops of the Vatican set up stands in the area surrounding Rome’s Spanish Steps, where most of the tourists stayed, to sell their Grand Tour micromosaics. They sold ready-made pieces and took commissions. The majority of micromosaics are unsigned, although Gioacchino Barberi and Giacomo Raffaelli were master craftsmen who did sign their pieces.\u003c\/span\u003e\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size:8.5pt;line-height:107%;font-family:Verdana, sans-serif;\"\u003eThe micromosaics were usually sold without frames and tourists went to jewellers to have them set in jewellery or decorative objects.\u003c\/span\u003e\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size:8.5pt;line-height:107%;font-family:Verdana, sans-serif;\"\u003eWith thanks to Il Micromosaico di Luigina Rech – micromosaico.it translation by John Matthews\u003c\/span\u003e\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63797569945930,"sku":"S11124S","price":24000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/antique-italian-micromosaic-and-gold-brooch-cum-pendant-and-earrings-suite-circa-1850_f3df771f-06a3-4568-bc38-cdd4bfa70f5e.jpg?v=1791143000"},{"product_id":"antique-italian-micromosaic-and-gold-brooch-cum-pendant-and-earrings-suite-circa-1870","title":"Antique Italian Micromosaic and Gold Brooch-Cum-Pendant and Earrings Suite, Circa 1870","description":"\u003cp\u003eAn antique Italian micromosaic and gold brooch-cum-pendant and earrings suite. The pendant has a gold bale, with granulated Etruscan style work, the micromosaic features a fly or beetle, with a green metallic abdomen and brown thorax, on a white background, in a circle, superimposed on a square, set sideways, with blue white and red micromosaics in the corners, with circles above and below, set with flower, blue and red micromosaics and flower trefoil micromosaics either side, with a wirework surround, with three pendant drops, featuring arrowheads and circles, set with blue, white and red micromosaic, with a shepherd hook on the back for the removable bale and a locket with purple fabric, with a pin and hook catch fitting. The earrings feature a similar, scaled down design, with the flies, in circles, on a square, with gold trefoils either side and below, with lozenge shaped tops, set with micromosaic, with a flower in the centre with a blue and white surround, with a red and white triangle border, circa 1870, in a Marchesini, Firenze Roma, fitted case.\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size:8.5pt;line-height:107%;font-family:Verdana, sans-serif;\"\u003eMosaics are an ancient form of decoration, made of tiles, tesserae in Italian, from the Greek tesseris, referring to their four sided shapes. Earlier mosaics were made of stone and glass. Micromosaic utilised enamel, made of fused silica, with minerals to produce the required colours. The shapes were circular or cubic and known as “loaves”.\u003c\/span\u003e\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size:8.5pt;line-height:107%;font-family:Verdana, sans-serif;\"\u003eThey flourished in the Roman, Byzantine and medieval periods. The Vatican Mosaics Studio was established at the end of the 16\u003csup\u003eth\u003c\/sup\u003e century. It was responsible for the maintenance of the works of art in St. Peter’s Basilica.\u003c\/span\u003e\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size:8.5pt;line-height:107%;font-family:Verdana, sans-serif;\"\u003eProduction of micromosaics date from the end of the 18\u003csup\u003eth\u003c\/sup\u003e century. Earlier designs were inspired by neoclassical allegorical themes, these were followed by flowers, animals and the well-known ruins of Rome. Due to growing demand of micromosaics the Workshop of St. Peter was set up, in 1795 as a branch of the Mosaics Studio.\u003c\/span\u003e\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size:8.5pt;line-height:107%;font-family:Verdana, sans-serif;\"\u003eThe Pope presented some of the finest works to visiting diplomats and sovereigns. They began to circulate more widely and gained prestige among the wealthy and those on the Grand Tour.\u003c\/span\u003e\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size:8.5pt;line-height:107%;font-family:Verdana, sans-serif;\"\u003eCraftsmen who had trained in the workshops of the Vatican set up stands in the area surrounding Rome’s Spanish Steps, where most of the tourists stayed, to sell their Grand Tour micromosaics. They sold ready-made pieces and took commissions. The majority of micromosaics are unsigned, although Gioacchino Barberi and Giacomo Raffaelli were master craftsmen who did sign their pieces.\u003c\/span\u003e\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size:8.5pt;line-height:107%;font-family:Verdana, sans-serif;\"\u003eThe micromosaics were usually sold without frames and tourists went to jewellers to have them set in jewellery or decorative objects.\u003c\/span\u003e\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size:8.5pt;line-height:107%;font-family:Verdana, sans-serif;\"\u003eWith thanks to Il Micromosaico di Luigina Rech – micromosaico.it translation by John Matthews\u003c\/span\u003e\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63797614018890,"sku":"XS\u0026MT10124S","price":24000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/antique-italian-micromosaic-and-gold-brooch-cum-pendant-and-earrings-suite-circa-1870_f7f44db4-74b5-41d9-9ba1-0e445fab1f73.jpg?v=1791143009"},{"product_id":"garrards-fire-opal-diamond-and-platinum-drop-earrings-and-negligee-pendant-set-circa-1920","title":"Garrards Fire Opal, Diamond and Platinum Drop Earrings and Negligee Pendant Set, Circa 1920","description":"\u003cp\u003eA Garrards fire opal and diamond drop earrings and negligee pendant set. The earrings have old European-cut diamond tops, in rub over settings, with four articulating, graduating rows of old European and rose-cut diamond set foliate motifs, in grain and rub over settings, with faceted oval fire opal and old-cut diamond cluster drops, in grain settings with a rub over edge, with millegrain edged decoration, mounted in platinum, with gold posts and later white gold butterfly fittings.\u003c\/p\u003e, \u003cp\u003e The negligée pendant, has a rose-cut diamond set pointed ellipse, with millegrain edges, begirding the chain ends. The pendant chains are set with rub over set rose-cut diamonds, with fittings for the fire opal clusters, on a very fine platinum trace chain, with a jump ring and gold bolt ring clasp, marked with a French head of Murcury for exported 18ct gold, circa 1920. In original fitted Garrards case.\u003c\/p\u003e, \u003cp\u003eThe fittings are marked l and ll on the earrings, pendant and the stone set cluster so that each part fits together correctly.\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63797651374410,"sku":"S14224S","price":26000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/garrards-fire-opal-diamond-and-platinum-drop-earrings-and-negligee-pendant-set-circa-1920_f0fd7a17-73a3-45b4-b24e-85a1582ab1d8.jpg?v=1791143037"},{"product_id":"modern-sapphire-diamond-and-platinum-pendant-4-50-carats","title":"Modern Sapphire Diamond and Platinum Pendant, 4.50 Carats","description":"\u003cp\u003eA modern sapphire and diamond pendant, set with an oval faceted sapphire, with a mitre set surround, with trapezoid baguette-cut diamonds, in rub over settings, over a basket at the back, the bail is set with a baguette-cut diamond and the chain runs through the back, mounted in platinum, on a platinum trace chain, accompanied by GCS certificate 78122-09b, stating the sapphire is natural, with indications of heat treatment, the origin is indeterminable. The sapphire measures 10.3 x 9.1 x 5.5mm and weighs approximately 4.50ct.\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63797656715594,"sku":"S27324P","price":32000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/modern-sapphire-diamond-and-platinum-pendant-4-50-carats_db74586e-7d69-423c-9cec-c836b2a20687.jpg?v=1791143045"},{"product_id":"antique-diamond-silver-and-gold-crescent-pendant-circa-1890-4-50-carats","title":"Antique Diamond Silver and Gold Crescent Pendant, Circa 1890, 4.50 Carats","description":"\u003cp\u003eAn antique diamond crescent pendant, set with a row of old-cut diamonds, graduating from the centre, in cut down settings, surrounded by old-cut diamonds, in a grain set channel, with a flat edge on the inside and grain and cut down settings, with a gold pierced gallery on the outside curve, mounted in silver-upon-gold, circa 1890. In Victorian symbolism the crescent or new moon represented a new relationship. Hopeful it will \"wax\" into matrimony. Estimated total diamond weight 4.50 carats. In our opinion the colour is J to K and our opinion of the clarity is VS to SI.\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63797664842058,"sku":"S14124P","price":11750.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/antique-diamond-silver-and-gold-crescent-pendant-circa-1890-4-50-carats_daa55e8a-c9b5-4b7a-9091-c18188ce2a4a.jpg?v=1791143053"},{"product_id":"antique-diamond-emerald-and-gold-butterfly-pendant-circa-1880","title":"Antique Diamond Emerald and Gold Butterfly Pendant, Circa 1880","description":"\u003cp\u003eAn antique diamond, emerald and gold butterfly and crescent pendant, with a butterfly in the centre, set with a rub over set, cushion-cut emerald in the thorax and old-cut diamonds, pavé set, in the wings and abdomen and a single diamond, rub over set, in the head, encased in an upturned crescent, set with old-cut diamonds, in grain settings on the upper edge and crown claw settings on the outer edge, on a plain round bail, mounted in 18ct gold, circa 1880. Estimated diamond weight 3.00ct.\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63797693940042,"sku":"S30524P1","price":7500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/antique-diamond-emerald-and-gold-butterfly-pendant-circa-1880_d665d00a-0bb1-48b2-bd07-aeaf51a41747.jpg?v=1791143091"},{"product_id":"antique-pearl-diamond-and-silver-upon-gold-brooch-cum-pendant-circa-1890","title":"Antique Pearl Diamond and Silver Upon Gold Brooch Cum Pendant, Circa 1890","description":"\u003cp\u003e\u003cspan style=\"font-family:Calibri, sans-serif;\"\u003e\u003cspan style=\"font-size:14.6667px;\"\u003eA Victorian pearl and diamond brooch-cum-pendant, with \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family:Calibri, sans-serif;font-size:14.6667px;\"\u003ea natural bouton pearl in the centre of a cluster of \u003c\/span\u003e\u003cspan style=\"font-size:11pt;font-family:Calibri, sans-serif;\"\u003e old-cut diamonds, with a surround of alternating single, old-cut diamonds and trefoils, set with old-cut diamonds, in cut down settings, with a removable pendant fitting, set with two old-cut \u003c\/span\u003e\u003cspan style=\"font-family:Calibri, sans-serif;font-size:14.6667px;\"\u003ediamonds,\u003c\/span\u003e\u003cspan style=\"font-size:11pt;font-family:Calibri, sans-serif;\"\u003e mounted in silver-upon-gold, with a removable brooch fitting, stamped 9CT, \u003c\/span\u003e\u003cspan style=\"font-family:Calibri, sans-serif;font-size:14.6667px;\"\u003ein an R. Drummond \u0026amp; Co., Glasgow, fitted case, c\u003c\/span\u003e\u003cspan style=\"font-family:Calibri, sans-serif;font-size:14.6667px;\"\u003eirca 1890.\u003c\/span\u003e\u003cspan style=\"font-family:Calibri, sans-serif;font-size:14.6667px;\"\u003e The estimated total weight of diamonds is \u003c\/span\u003e\u003cspan style=\"font-family:Calibri, sans-serif;font-size:14.6667px;\"\u003e5 carats.\u003c\/span\u003e\u003cspan style=\"font-family:Calibri, sans-serif;font-size:14.6667px;\"\u003e The pearl measures approximately \u003c\/span\u003e\u003cspan style=\"font-family:Calibri, sans-serif;font-size:14.6667px;\"\u003e8.5mm. \u003c\/span\u003e\u003cspan style=\"font-size:11pt;font-family:Calibri, sans-serif;\"\u003eAccompanied by \u003c\/span\u003e\u003cspan style=\"font-size:11pt;font-family:Calibri, sans-serif;\"\u003eGCS certificate 5785-3271, stating that the pearl is natural, with \u003c\/span\u003e\u003cspan style=\"font-family:Calibri, sans-serif;font-size:14.6667px;\"\u003ea modern gold trace chain.\u003c\/span\u003e\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63797965488458,"sku":"S3725B","price":18000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/antique-pearl-diamond-and-silver-upon-gold-brooch-cum-pendant-circa-1890_ab94e7ca-d1ef-4270-99f5-611eb811d775.jpg?v=1791143500"},{"product_id":"art-nouveau-moonstone-and-gold-necklace-circa-1890","title":"Art Nouveau Moonstone and Gold Necklace, Circa 1890","description":"\u003cp\u003eAn Art Nouveau moonstone and gold necklace, featuring a pendant, with an Art Nouveau design, with an oval moonstone, in a rub over setting, suspending a cushion shaped silver moonstone, rub over set in a framed scrolling openwork surround, on a chain of rub over set blue moonstones, alternating with ribbed bars and openwork trefoil cylinders, mounted in gold, electronically tests as 18ct gold, with a jump and bolt ring clasp, which is stamped 14K, with inventory mark 04331, circa 1890.\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63798163636554,"sku":"XAZ11225N2","price":16000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/art-nouveau-moonstone-and-gold-necklace-circa-1890_aa987709-fe40-491b-be8d-1f97ef81e90e.jpg?v=1791143712"},{"product_id":"georges-le-sach-for-vever-belle-poque-emerald-diamond-platinum-and-gold-brooch-cum-pendant-necklace-circa-1900","title":"Georges Le Saché for Vever Belle Époque Emerald, Diamond, Platinum and Gold Brooch-Cum-Pendant Necklace, Circa 1900","description":"\u003cp\u003eA French Belle Époque emerald, diamond, platinum and gold brooch-cum-pendant necklace, in an openwork design of a garland, with three cabochon-cut emeralds, in gold millegrain edged rub over settings below, over a stylised jardinière, with old-cut diamonds, in grain and millegrain edged rub over settings, with three articulating drops, set with pear shaped diamonds, in claw settings, mounted in platinum over gold, initialled M.D., with a removable brooch fitting, with with two, French eagle heads for 18 carat gold, French makers marks with LS, in a lozenge, over an oval with a dot in the middle, which is a bobeche - a candle holder, for Georges Le Saché, whose marks were registered in 1885 and 1920, circa 1890. numbered 2698, with a removable, platinum, long and short link chain, in a green leather fitted case, with embossed M.P. initials, with a Vever logo on the silk interior, which reads, \"Ane Mon Marret \u0026amp; Baugram Vever, 19 Rue De La Paix, Paris, Gand Prix, Exp Univ. Paris, 1889\", containing a screwdriver to remove the brooch fitting. The emeralds have an estimated total weight of 0.30 carat and in our opinion, show characteristics of Columbian emeralds. Estimated total diamond weight 4.25 carats. In our opinion the colour is G to H and our opinion of the clarity is VS.\u003c\/p\u003e, \u003cp\u003eVever\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003eGeorges Le Saché was a respected French jewellery designer and manufacturer who created pieces for some of the most prominent jewellery houses of the late 19th and early 20th Centuries. Born into a creative family in Paris in 1849, Georges Le Saché showed artistic promise early in life. His grandfather Jean-Jacques Le Saché was an engraver for the Paris Mint and was commissioned by the Mayor of Ghent in 1810 to make a medal for which he was praised not only for “the imaginative handling of the subject” but also the “meticulous craftsmanship evident in the piece”. His father, Emile, was a talented draughtsman, with a particular skill for line engraving, whilst his mother ran a jewellery shop in Paris’s Palais Royal. \u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003eThe young George wanted to be a painter. His creative talents were nurtured and inspired by spending much of his early youth with artists, including one of the best academic painters, William-Adolphe Bouguereau. He planned to attend the Ecole des Beaux-Arts in Paris however his parents wanted a more secure career path for him. Fearing the life of a painter was too unstable, they sent him to Germany, in 1866, at the age of 17. He worked for the renowned jewellery firm, Friedman, which was well known in France at the time and where Carl Fabergé would go to train a few years later. Le Saché's his skill as an artist was quickly recognised and he worked on the rendering of designs, whilst being exposed to all aspects of the jewellery trade. He then travelled to England where he studied and learnt as much as possible, applying his knowledge of drawing and design to a variety of decorative arts. At the outbreak of war in 1870 he returned to France, where he spent six months serving in the 1st battalion of the Seine regiment, until March 1871. He then returned to London for another year, until settling back in Paris, finding work as a designer for the jeweller Lucien Falize. \u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003eThis proved an important period in Le Saché’s life as he and Falize became friends as well as professional collaborators. Falize taught him much about the jewellers’ art and Le Saché's position enabled him to study a wide variety of wonderful jewels, both antique and contemporary. The craft of the goldsmith inspired Le Saché’s designs, leading him to become a knowledgeable and skilled manufacturer, thanks to the careful tutelage and encouragement of his friend. After five years of working with Falize, Le Saché left, to join the highly regarded manufacturing jewellery company, Baucheron et Guillain, in 1877. His marriage to Baucheron’s daughter made a move to the family business almost inevitable. Eventually he would take it over as his own. He soon came to create pieces for some of the most famous Parisian jewellery houses of the period, who exhibited his pieces at the world fairs, both in Paris and internationally. He also attracted the attention of the American jewellers, Tiffany \u0026amp; Co., who commissioned various pieces from him.\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003eLe Saché ran his workshop for over thirty years, preferring to remain anonymous. He worked to commission and sold only through agents. His workshop trained a steady stream of apprentices and craftsmen, never forgetting his enriching five years with Falize. The quality of his work spoke for itself. He was recognised by his peers, in 1901, with a large silver-gilt plaque, awarded for what Henri Vever referred to as the “rare talents and absolute integrity of an excellent artist and manufacturer”. Despite never seeking attention for himself his pieces are now in some of the most important jewellery collections in the world.\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family:Calibri, sans-serif;font-size:14.6667px;\"\u003eWith thanks to Hancocks.\u003c\/span\u003e\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63798316269898,"sku":"XAZ17626P2","price":32000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/georges-le-sach-for-vever-belle-poque-emerald-diamond-platinum-and-gold-brooch-cum-pendant-necklace-circa-1900_884f7a0b-e7e9-4c64-9aef-59e40ef1e1db.jpg?v=1791143862"},{"product_id":"victorian-the-goldsmiths-silversmiths-ltd-diamond-and-silver-upon-gold-brooch-cum-pendant-circa-1890","title":"Victorian The Goldsmiths \u0026 Silversmiths Ltd. Diamond and Silver Upon Gold Brooch Cum Pendant, Circa 1890","description":"\u003cp\u003eA Victorian diamond and silver-upon-gold brooch-cum-pendant, in an openwork, six petal, flower cluster design, with an old-cut diamond, in a cut down setting, in the centre of a cluster of old-cut diamonds, in cut down settings, the petals are formed by old-cut diamond arches, in cut down settings, with larger old-cut diamonds in cut down settings, in the centres, on knife edges so they appear to float, suspending a drop, set with a small old-cut diamond, above a pear shape old-cut diamond, in claw settings, mounted in silver-upon-gold, with a removable brooch fitting and a silver, flattened link trace chain, with a jump and bolt ring clasp, marked sterling, circa 1890, in a The Goldsmiths \u0026amp; Silversmiths Ltd. fitted case. Estimated total diamond weight 6.00 carats, with an estimated colour of H-J and an estimated clarity of VS.\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63798320529738,"sku":"XAZ17626P3","price":25000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/victorian-the-goldsmiths-silversmiths-ltd-diamond-and-silver-upon-gold-brooch-cum-pendant-circa-1890.jpg?v=1791143871"}],"url":"https:\/\/moirafinejewellery.com\/collections\/pendants.oembed","provider":"Moira Fine Jewellery","version":"1.0","type":"link"}