{"title":"Signed Cufflinks \/ Dress-sets","description":"\u003cp\u003eHailing from the world’s most prestigious fine jewellery houses, our curated collection of signed cufflinks and signed dress sets for men is recognised for its quality worldwide. Choose signed cufflinks from Tiffany \u0026amp; Co., Cartier, Pierre Brun, Van Cleef \u0026amp; Arpels and many more.\u003c\/p\u003e","products":[{"product_id":"mellerio-wood-and-18-carat-gold-cufflinks-circa-1960","title":"Mellerio Wood and 18 Carat Gold Cufflinks, Circa 1960","description":"\u003cp\u003eA pair of vintage Mellerio cufflinks, set with two sections of dark wood and two alternate sections of 18ct gold, in circular discs, signed Mellerio, with chain link connections and a bar on the other end, with French eagle marks for 18ct gold, circa 1960.\u003c\/p\u003e","brand":"Mellerio","offers":[{"title":"Default Title","offer_id":63797262123338,"sku":"6910CL","price":3950.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/mellerio-wood-and-18-carat-gold-cufflinks-circa-1960_b4e83b32-30b1-4204-9804-552859abaf5c.jpg?v=1791140821"},{"product_id":"tiffany-co-art-deco-enamel-and-gold-cufflinks-circa-1925","title":"Tiffany \u0026 Co. Art Deco Enamel and Gold Cufflinks, Circa 1925","description":"\u003cp\u003eA pair of Art Deco Tiffany \u0026amp; Co. red and black enamel on gold cufflinks, with geometric designs. One bar is signed Tiffany \u0026amp; Co. With French eagle marks for 18ct gold and maker's marks, circa 1925.\u003c\/p\u003e","brand":"Tiffany \u0026 Co","offers":[{"title":"Default Title","offer_id":63797273723210,"sku":"11111CL","price":7000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/tiffany-co-art-deco-enamel-and-gold-cufflinks-circa-1925_07a0415d-7314-4ed8-ad99-66f41ef85c9f.jpg?v=1791140907"},{"product_id":"art-deco-tiffany-co-platinum-and-diamond-cufflinks-circa-1920","title":"Art Deco Tiffany \u0026 Co. Platinum and Diamond Cufflinks, Circa 1920","description":"\u003cp\u003eA pair of Art Deco Tiffany \u0026amp; Co. cufflinks, with a diagonal bar, channel set with French-cut diamonds, on frosted platinum cut corner squares, with bar fittings, signed Tiffany \u0026amp; Co., circa 1920.\u003c\/p\u003e","brand":"Tiffany \u0026 Co","offers":[{"title":"Default Title","offer_id":63797283684682,"sku":"3213CL2","price":11000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/art-deco-tiffany-co-platinum-and-diamond-cufflinks-circa-1920_4bf0ed1e-a1c0-4256-9a31-39da9590185d.jpg?v=1791141020"},{"product_id":"vintage-webb-gold-horse-cufflinks","title":"Vintage Webb Gold Horse Cufflinks","description":"\u003cp\u003eA pair of vintage gold horse cufflinks, by Webb, with horse heads surmounted on horseshoes, with nails as bars. Signed Webb. Circa 1960.\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63797288370506,"sku":"4214CL","price":11000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/vintage-webb-gold-horse-cufflinks_da8ae4c0-9f45-4c40-8189-57ab42bdbade.jpg?v=1791141132"},{"product_id":"j-e-caldwell-sapphire-diamond-and-platinum-cufflinks-dated-1922","title":"J. E. Caldwell Sapphire, Diamond and Platinum Cufflinks, Dated 1922","description":"\u003cp\u003eA pair of Art Deco sapphire and diamond cufflinks by J. E. Caldwell, mounted in platinum, with a directional finish, with a diagonal line of pavé set old-cut diamonds (36 stones approximately 0.70ct), with sapphires set at the ends (16 in total, French-cut calibré baguettes approximately 0.35ct), numbered J20173, engraved H van S to BHH 1922, in a J. E. Caldwell box, with the initials B.H.H.\u003c\/p\u003e","brand":"J. E. Caldwell","offers":[{"title":"Default Title","offer_id":63797290402122,"sku":"14214CL1","price":6000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/j-e-caldwell-sapphire-diamond-and-platinum-cufflinks-dated-1922_4bf04614-d789-424a-bee3-be0259aa7e79.jpg?v=1791141140"},{"product_id":"vintage-weingrill-black-onyx-diamond-and-gold-dress-set-circa-1960","title":"Vintage Weingrill Black Onyx, Diamond and Gold Dress-Set, Circa 1960","description":"\u003cp\u003eA vintage Weingrill black onyx and diamond dress-set, set with black onyx and a diamond in each plate, in a square shape with cut corners, mounted in 18ct yellow gold, signed Weingrill, stamped 750, with an Italian mark * 15 VR. Please note one stud has been plated white gold, circa 1960.\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003eCarlo Weingrill (b.1856-d.1924) established the company in 1879. He was born in Verona, Italy. At the age of eleven, he began his apprenticeship in a goldsmith’s shop. Upon completing his training at the age of 22, he decided to open his own factory.\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003eCarlo Weingrill’s goal was to make the finest 18ct gold jewels, using the highest quality materials, with exceptional craftsmanship. Every piece was handmade, using traditional artisan techniques, eschewing the use of machines, designed to be worn and enjoyed regularly.\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003eIn Italy, a craftsman could become a goldsmith after apprenticing for two years, At Weingrill, apprenticeships lasted seven years.\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003eFor Weingrill, gold has always been king of metals for jewellery. Diamonds and coloured gemstones were employed sparingly. From the 1900s to the 1940s, Weingrill was recognised for its curving, Art Nouveau, floral motifs and the geometric shapes of the Art Deco period. These styles inspired pieces designed decades later, with the company’s refusal to embrace current fads instead of gathering inspiration from Weingrill’s original moulds.\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003eThe business flourished, and Carlo brought his two sons, Armando and Gastone, into the business. They took over when Carlo died and grew the small artisan concern into a major player in the industry.\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003eThe 15 VR mark was originally registered on 8th July, 1935\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003eIn time the quality of Weingrill’s jewels would attract the attention of some of the biggest names in 20th century fine jewellery. They made the classic Trinity bangles for Cartier, for Tiffany they made a variety of gold cuffs and bracelets and most famously they created the tubogas bracelets, necklaces and rings for Bulgari, although the invention of the design is ascribed to the French manufacturer Auguste Lion, in 1863\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003eArmando Weingrill died in 1959. The company was then run by Gastone, until his death, in 1977.\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003eThe registration was updated on 26th March, 1968, to Weingrill Carlo S.p.A., Via Filopanti 2A, Verona. This information was entered by Gastone Weingrill.\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003eArmando’s daughter, Paola Weingrill, was the next in line to take on the business, becoming chief executive officer. Paola trained her son, Carlofilippo Mensi Weingrill, to assume the reins of the company upon her retirement. Carlofilippo is now leads firm, representing the fourth generation to head the house.\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size:8.5pt;line-height:107%;font-family:Verdana, sans-serif;\"\u003eWith thanks to Trev. at 925-1000 forum\u003c\/span\u003e and Wilsons\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63797291745610,"sku":"17214CL","price":2400.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/vintage-weingrill-black-onyx-diamond-and-gold-dress-set-circa-1960_8cf9b697-024a-4f68-bc41-eccaf53e512f.jpg?v=1791141179"},{"product_id":"wiese-cornelian-intaglio-cufflinks-circa-1925","title":"Wiese Cornelian Intaglio Cufflinks, Circa 1925","description":"\u003cp\u003eA pair of Wiese, intaglio cufflinks, set with cornelian intaglios, mounted in 18ct gold. The intaglios depict a child's head; the bust of a philosopher; Hygeia, the Greek goddess of hygiene, with a serpent around her neck, this intaglio is dated to circa third century A. D. and Gryllus, a Greek mythological character, who was half man, half pig, with two faces, one on his stomach; this intaglio is dated to circa second century A. D.. The cast mounts depict three rows of rope style wire twists, with a beading surround, in fine gold, with carabiner fittings, with French eagle marks, signed Wiése. Accompanied by an invoice dated 1925.\u003c\/p\u003e, \u003cp\u003e\u003cbr\u003eJules Wièse is regarded as one of the finest silver and goldsmiths of the 19th Century. Born in Berlin in 1818 he became apprenticed to the court goldsmith Johann Georg Hossaeur at the age of sixteen. Not long afterwards he moved to Paris, working first for J-V Morel before settling in a position with the renowned jewellers Froment-Meurice in 1839. He quickly rose to become workshop manager, tripling his wage in the process, before deciding that further financial gains could be made by setting up his own workshop which he did in 1845 at number 7, rue Jean-Pain-Mollet. To begin with he worked exclusively for his former employer who recognised his invaluable contribution at the 1849 Paris Exposition by ensuring that Wièse was awarded a collaborators medal. By the time of the next Paris fair six years later, Wièse was exhibiting under his own name having registered his makers mark some years previously. This consisted of his initials JW with a star above and below within a vertical lozenge it was registered in 1844 and remained in use for the next forty six years. The exposure he gained at this fair won him a significant and widely appreciative audience, including his peers and the judges, who awarded him a First Class medal for his work, commending him on his “excellence as a modeller and inventor”. On seeing his display stand, Wièse’s contemporary M. Magne wrote that he was a “fine goldsmith and jeweller with an already distinguished reputation… the importance of his pieces and his brave experiments reveal, even in the most modest work, an awareness of art and beauty which deserves to be encouraged….” He continued to produce both jewellery and other items such as mirrors, knives and goblets in the Neo-Renaissance style for many years, winning further medals in Paris and London, and securing various commissions including one from the city of Autun for a decorative presentation sword. His work was highly sculptural, often featuring figures which could be either human or mythological in nature, many with a definite Gothic overtone. In 1880 his son Louis (1852-1923) assumed control of the workshop having been trained by his father and when Jules died ten years later, Louis registered his own makers mark - the name WIESE with a star above and one below in a horizontal lozenge. Described by Vever as “an exceptionally modest and truly talented artist” Louis sought to continue the exemplary reputation for fine craftsmanship that his father had earned during his career. He continued working in the same tradition, producing beautifully crafted goldwork (sometimes to his father’s designs) which explored the familiar themes of the Neo-Renaissance and Gothic imagination whilst also looking to religion and archaeology to inspire him. He frequently employed grotesque beasts and gargoyles, ecclesiastic detailing and historic influences. If gems were used he would typically set them using antique-inspired methods and he was also known to use mercury oxide to distress the surface of metal, further enhancing the ‘aged’ appearance of his jewels. Enamelling was used to introduce colour and add another dimension to his pieces which are still highly regarded today and collected by a discerning group of individuals including contemporary goldsmiths. Examples of Wièse jewellery can be found in major museums worldwide including the British Museum and the Musée des Arts Décoratifs in Paris.\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63797306917194,"sku":"S14216CL","price":20000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/wiese-cornelian-intaglio-cufflinks-circa-1925_f1180d2e-f843-4ca6-9574-b0185deae622.jpg?v=1791141539"},{"product_id":"french-georges-le-sach-for-tiffany-co-art-nouveau-sapphire-ruby-and-gold-cufflinks-circa-1890","title":"French Georges Le Saché for Tiffany \u0026 Co. Art Nouveau Sapphire Ruby and Gold Cufflinks, Circa 1890","description":"\u003cp\u003eA pair of Tiffany art nouveau sapphire and ruby cufflinks, with three cabochon sapphires set on one side and three cabochon rubies on the other, mounted on a foliate design, with an oval surround, in 18ct gold, with red patina, signed Tiffany \u0026amp; Co., engraved L.C.J. on each back. Each part has a French eagle mark, for 18ct gold and French makers marks with LS, in a lozenge, over an oval with a dot in the middle, which is a bobeche - a candle holder, for Georges Le Saché, whose marks were registered in 1885 and 1920, circa 1890.\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003eGeorges Le Saché was a respected French jewellery designer and manufacturer who created pieces for some of the most prominent jewellery houses of the late 19th and early 20th Centuries. Born into a creative family in Paris in 1849, Georges Le Saché showed artistic promise early in life. His grandfather Jean-Jacques Le Saché was an engraver for the Paris Mint and was commissioned by the Mayor of Ghent in 1810 to make a medal for which he was praised not only for “the imaginative handling of the subject” but also the “meticulous craftsmanship evident in the piece”. His father, Emile, was a talented draughtsman, with a particular skill for line engraving, whilst his mother ran a jewellery shop in Paris’s Palais Royal. \u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003eThe young George wanted to be a painter. His creative talents were nurtured and inspired by spending much of his early youth with artists, including one of the best academic painters, William-Adolphe Bouguereau. He planned to attend the Ecole des Beaux-Arts in Paris however his parents wanted a more secure career path for him. Fearing the life of a painter was too unstable, they sent him to Germany, in 1866, at the age of 17. He worked for the renowned jewellery firm, Friedman, which was well known in France at the time and where Carl Fabergé would go to train a few years later. Le Saché's his skill as an artist was quickly recognised and he worked on the rendering of designs, whilst being exposed to all aspects of the jewellery trade. He then travelled to England where he studied and learnt as much as possible, applying his knowledge of drawing and design to a variety of decorative arts. At the outbreak of war in 1870 he returned to France, where he spent six months serving in the 1st battalion of the Seine regiment, until March 1871. He then returned to London for another year, until settling back in Paris, finding work as a designer for the jeweller Lucien Falize. \u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003eThis proved an important period in Le Saché’s life as he and Falize became friends as well as professional collaborators. Falize taught him much about the jewellers’ art and Le Saché's position enabled him to study a wide variety of wonderful jewels, both antique and contemporary. The craft of the goldsmith inspired Le Saché’s designs, leading him to become a knowledgeable and skilled manufacturer, thanks to the careful tutelage and encouragement of his friend. After five years of working with Falize, Le Saché left, to join the highly regarded manufacturing jewellery company, Baucheron et Guillain, in 1877. His marriage to Baucheron’s daughter made a move to the family business almost inevitable. Eventually he would take it over as his own. He soon came to create pieces for some of the most famous Parisian jewellery houses of the period, who exhibited his pieces at the world fairs, both in Paris and internationally. He also attracted the attention of the American jewellers, Tiffany \u0026amp; Co., who commissioned various pieces from him.\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003eLe Saché ran his workshop for over thirty years, preferring to remain anonymous. He worked to commission and sold only through agents. His workshop trained a steady stream of apprentices and craftsmen, never forgetting his enriching five years with Falize. The quality of his work spoke for itself. He was recognised by his peers, in 1901, with a large silver-gilt plaque, awarded for what Henri Vever referred to as the “rare talents and absolute integrity of an excellent artist and manufacturer”. Despite never seeking attention for himself his pieces are now in some of the most important jewellery collections in the world.\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family:Calibri, sans-serif;font-size:14.6667px;\"\u003eWith thanks to Hancocks.\u003c\/span\u003e\u003c\/p\u003e","brand":"Tiffany \u0026 Co","offers":[{"title":"Default Title","offer_id":63797308064074,"sku":"S3616CL4","price":14000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/french-georges-le-sach-for-tiffany-co-art-nouveau-sapphire-ruby-and-gold-cufflinks-circa-1890_248384a1-d408-48e1-9224-47a4a83ff46a.jpg?v=1791141577"},{"product_id":"van-cleef-arpels-gold-stirrup-cufflinks-circa-1960","title":"Van Cleef \u0026 Arpels Gold Stirrup Cufflinks, Circa 1960","description":"\u003cp\u003eA pair of French, Van Cleef \u0026amp; Arpels 18ct gold stirrup cufflinks, with reeded engraving, with concealed openings in the centre and hinged white gold curved back plates, signed V.C.A,, with French eagle marks, for 18ct gold, maker's marks, Brevette S.D.D.G. guarantee marks, design number 78454, with sections numbered 3 and 5, circa 1960.\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63797310521674,"sku":"S131216CL","price":2950.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/van-cleef-arpels-gold-stirrup-cufflinks-circa-1960_e82d1c6b-24cd-456b-81b4-c9666bb646f7.jpg?v=1791141620"},{"product_id":"tiffany-co-gold-and-enamel-cufflinks","title":"Tiffany \u0026 Co. Gold and Enamel Cufflinks","description":"\u003cp\u003eA pair of Tiffany \u0026amp; Co. gold and enamel cufflinks, with solid, concave, oval heads, each edged with a band of blue enamel and a surround of gold, mounted in 18ct gold, with bar fittings, signed Tiffany \u0026amp; Co., and T \u0026amp; Co, stamped 750.\u003c\/p\u003e","brand":"Tiffany \u0026 Co","offers":[{"title":"Default Title","offer_id":63797348008266,"sku":"S11218CL","price":4950.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/tiffany-co-gold-and-enamel-cufflinks_5a97349a-aebe-48c5-a909-55cc89212bdc.jpg?v=1791141773"},{"product_id":"tiffany-schlumberger-black-onyx-turquoise-and-gold-cufflinks-circa-1960","title":"Tiffany Schlumberger Black Onyx, Turquoise and Gold Cufflinks, Circa 1960","description":"\u003cp\u003eA pair of Jean Schlumberger for Tiffany \u0026amp; Co. black onyx and turquoise cufflinks, with turquoise studded black onyx spheres, on 18ct gold, signed Schlumberger and Tiffany \u0026amp; Co., stamped 18K, circa 1960.\u003c\/p\u003e","brand":"Tiffany \u0026 Co","offers":[{"title":"Default Title","offer_id":63797352005962,"sku":"S18219CL","price":5350.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/tiffany-schlumberger-black-onyx-turquoise-and-gold-cufflinks-circa-1960_ccdbf1e5-13ab-43f2-86cd-a984b4ad6fd2.jpg?v=1791141852"},{"product_id":"tiffany-co-star-ruby-diamond-and-platinum-dress-set-circa-1950","title":"Tiffany \u0026 Co. Star Ruby Diamond and Platinum Dress-Set, Circa 1950","description":"\u003cp\u003eA Tiffany \u0026amp; Co., vintage, ruby and diamond dress-set, comprising of a pair of cufflinks and three dress studs, each set with an oval cabochon star ruby, in the centre of platinum squares, with cut corners, the cufflinks have a baguette-cut diamond set at each end of the ruby, with figure-of-eight links, signed \"Tiffany \u0026amp; Co.\", circa 1950.\u003c\/p\u003e","brand":"Tiffany \u0026 Co","offers":[{"title":"Default Title","offer_id":63797354365258,"sku":"S241019CL3","price":7500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/tiffany-co-star-ruby-diamond-and-platinum-dress-set-circa-1950_d3ef0e4d-0249-4611-9533-32efcde4753c.jpg?v=1791141905"},{"product_id":"art-deco-cartier-ruby-and-platinum-dress-set-circa-1930","title":"Art Deco Cartier Ruby and Platinum Dress Set, Circa 1930","description":"\u003cp\u003eA Cartier Art Deco ruby and platinum gentlemen's dress-set, comprising a pair of cufflinks, four buttons and two studs, the buttons and cufflink heads are each set with two rows of eight calibre-cut rubies, in box settings, the collar studs are set with a single row of three calibre-cut rubies, mounted in flat polished discs of platinum, signed Cartier London, the cufflinks are numbered 3672 and have platinum hinged, chain and bar fittings, each button is numbered 3673 and has a platinum loop on the reverse, for removable split ring fittings, the collar studs have disc back, screw fittings. The dress-set comes in its original, fitted, Cartier, red leather and gold tooled, half-moon shaped case, circa 1930.\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63797355348298,"sku":"XS\u0026AN2920CL","price":22000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/art-deco-cartier-ruby-and-platinum-dress-set-circa-1930_460510ac-5831-4cfb-8338-697a0e60182f.jpg?v=1791141923"},{"product_id":"vintage-herm-s-wood-and-gold-cufflinks-circa-1970","title":"Vintage Hermès Wood and Gold Cufflinks, Circa 1970","description":"\u003cp\u003eA pair of vintage Hermès wood and gold cufflinks, with teak wood discs set in gold curved sided rectangles, with bar fittings, with French eagle head marks for 18ct gold, signed HERMES Paris, numbered 6077and 6074, with a maker's mark Sté and LFV, with an amphora, for Lasbleiz Fournier Vitiello, with scratched invoice marks 13.585, circa 1970.\u003c\/p\u003e, \u003cp class=\"MsoNormal\" style=\"line-height:normal;\"\u003e\u003cspan style=\"font-size:8.5pt;font-family:Verdana, sans-serif;\"\u003eThe Lasbleiz Fournier Vitiello Company, was created by three friends, in 1962, specialising in the manufacture and wholesale of high-quality jewellery and silversmithin. They employed both technological innovations and traditional techniques. Located at 48 rue Meslay, in the 3rd arrondissement of Paris, the company is still independent and family-run. They are suppliers to major Parisian maisons and the most renowned international brands, such as Hermès, Cartier and Van Cleef and Arpels. The amphora, seen on their maker's mark, is the company trademark.\u003c\/span\u003e\u003c\/p\u003e, \u003cp class=\"MsoNormal\" style=\"line-height:normal;\"\u003e\u003cspan style=\"font-size:8.5pt;font-family:Verdana, sans-serif;\"\u003eWith thanks to Lasbleiz Fournier Vitiello Company Linked-In page and Pages Jaunes\u003c\/span\u003e\u003c\/p\u003e","brand":"Hermes","offers":[{"title":"Default Title","offer_id":63797519286602,"sku":"S21918CL","price":4950.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/vintage-herm-s-wood-and-gold-cufflinks-circa-1970_57543d92-279e-4dc8-8def-48a3e62d8adb.jpg?v=1791142942"},{"product_id":"vintage-french-van-cleef-arpels-18ct-gold-stirrup-cufflinks-circa-1960","title":"Vintage French Van Cleef \u0026 Arpels 18ct Gold Stirrup Cufflinks, Circa 1960","description":"\u003cp\u003eA pair of French, Van Cleef \u0026amp; Arpels 18ct gold stirrup cufflinks, with a heavy ribbed design, with concealed openings in the centre and hinged white gold curved back plates, signed Van Cleef \u0026amp; Arpels, with French eagle marks, for 18ct gold, maker's marks, Brevette S.D.D.G. guarantee marks, design number GO753, with sections numbered 1 and 4, circa 1960.\u003c\/p\u003e","brand":"Van Cleef \u0026 Arpels","offers":[{"title":"Default Title","offer_id":63797722186058,"sku":"S18624CL2","price":2700.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/vintage-french-van-cleef-arpels-18ct-gold-stirrup-cufflinks-circa-1960_6fc1b421-3b26-4a07-bcdc-2f94b6b55fe4.jpg?v=1791143126"},{"product_id":"vintage-boucheron-diamond-and-platinum-dress-set-london-hallmark-1960","title":"Vintage Boucheron Diamond and Platinum Dress-Set, London Hallmark 1960","description":"\u003cp\u003eA vintage Boucheron, diamond and platinum, gentlemen's dress-set, comprising a pair of cufflinks, four buttons and a pair of collar studs, each with a round brilliant-cut diamond, grain set, in a directional satin finished flat square, superimposed on a polished disc, mounted in platinum, signed Boucheron, London, with London Hallmarks, with e date letters for 1960, on the reverse. The cufflinks have chain fittings, the studs have disc backs and the buttons have separate split rings. The set is in the original blue case, with dark blue velvet base and ivory silk lining, with Boucheron trademark logo.\u003c\/p\u003e","brand":"Boucheron","offers":[{"title":"Default Title","offer_id":63797910798666,"sku":"S24325CL1","price":11000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/vintage-boucheron-diamond-and-platinum-dress-set-london-hallmark-1960.jpg?v=1791143422"}],"url":"https:\/\/moirafinejewellery.com\/collections\/signed-cufflinks-dress-sets.oembed","provider":"Moira Fine Jewellery","version":"1.0","type":"link"}