{"title":"Signed Pieces","description":"\u003cp\u003eExplore the Moira Fine Jewellery selection of signed jewellery pieces from famous jewellery houses like Cartier, Tiffany \u0026amp; Co., Boucheron, Chaumet, Van Cleef \u0026amp; Arpels and Faberge. Our signed jewels have proven provenance and were especially sourced for their style, sparkle and stories.\u003c\/p\u003e","products":[{"product_id":"moira-enamel-diamond-ruby-and-gold-french-bulldog-brooch","title":"Moira Enamel, Diamond, Ruby and Gold French Bulldog Brooch","description":"\u003cp\u003eA Moira French bulldog brooch, with satin enamel depicting the brindled and white coat, with eight-cut diamonds, pavé set in the ears and collar and cabochon-cut ruby eyes, mounted in gold, with silver settings for the diamonds, signed MOIRA and numbered 5017.\u003c\/p\u003e, \u003cp\u003eMoira’s eponymous collection was inspired by clients searching for unusual jewellery that just couldn’t be sourced anywhere. Influenced by nature itself, Moira put together a collection representing the forms of flora and fauna, employing what are now rare traditional setting techniques, old-cut stones and enamel in its various styles. The plique à jour method resembles rich stained glass. These romantic pieces are set to become the heirlooms of the future.\u003c\/p\u003e","brand":"Moira","offers":[{"title":"Default Title","offer_id":63797245870410,"sku":"24699B6","price":7000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/moira-enamel-diamond-ruby-and-gold-french-bulldog-brooch.jpg?v=1791140505"},{"product_id":"moira-green-garnet-diamond-sapphire-silver-and-gold-dragonfly-brooch","title":"Moira Green Garnet, Diamond, Sapphire, Silver and Gold Dragonfly Brooch","description":"\u003cp\u003eA large gem set dragonfly brooch, with three old-cut diamonds set in the head, with an oval, cabochon-cut sapphire, weighing an estimated 7.50 carats and two further old-cut diamonds in the body, with a segmented abdomen, set with calibré-cut sapphires and terminated with a marquise-cut diamond. The wings are pavé set with round faceted tsavorite garnets, weighing an estimated total of 15.00ct and ten, round faceted sapphires, mounted in silver-upon-gold. The estimated total diamond weight is 3.60ct. The estimated total sapphire weight is 2.35 carats. Signed Moira, numbered 6185.\u003c\/p\u003e, \u003cp\u003eMoira's eponymous collection was inspired by clients searching for unusual jewellery that just couldn't be sourced anywhere. Influenced by nature itself, Moira put together a collection representing the forms of flora and fauna, employing what are now rare traditional setting techniques, old-cut stones and enamel in its various styles. The plique à jour method resembles rich stained glass. These romantic pieces are set to become the heirlooms of the future.\u003c\/p\u003e, \u003cp\u003eIn the symbolism of many cultures dragonflies can represent change, especially new beginnings that come from experience and maturity, happiness and love.\u003c\/p\u003e","brand":"Moira","offers":[{"title":"Default Title","offer_id":63797246722378,"sku":"291199B0","price":30000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/moira-green-garnet-diamond-sapphire-silver-and-gold-dragonfly-brooch_79b0c323-ffa8-4f12-a571-5d3d109d2cf4.jpg?v=1791140516"},{"product_id":"modern-mississippi-pearl-diamond-enamel-gold-and-silver-flower-brooch","title":"Modern Mississippi Pearl Diamond Enamel Gold and Silver Flower Brooch","description":"\u003cp\u003eA modern Moira Mississippi pearl, diamond and enamel floral brooch, with three rose-cut diamond set anthers, Mississippi pearl petals, shaded green enamel leaf and sepal with a round brilliant-cut diamond set stem, mounted in gold, with silver settings, signed MOIRA and numbered 5129, with an estimated total diamond weight of 0.80ct.\u003c\/p\u003e","brand":"Moira","offers":[{"title":"Default Title","offer_id":63797247312202,"sku":"211101B6","price":5000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/modern-mississippi-pearl-diamond-enamel-gold-and-silver-flower-brooch_c9a8a5f6-a3fc-42f3-aa58-2914247f19f9.jpg?v=1791140525"},{"product_id":"moira-sapphire-diamond-emerald-and-silver-upon-gold-bird-of-paradise-brooch-circa-2002","title":"Moira Sapphire, Diamond, Emerald and Silver Upon Gold Bird of Paradise Brooch, Circa 2002","description":"\u003cp\u003eA Moira, contemporary, bird of paradise brooch, with pavé set round faceted sapphires, emeralds and eight-cut diamonds, with marquise-cut ruby eyes, mounted in silver upon gold, the back of the body is engraved with a floral pattern, with a pin and trombone catch fitting. Signed Moira and numbered 6000. With estimated stone weights of 3.00 carats of sapphires, 4.00 carats of emeralds and 2.50 carats of diamonds, made circa 2002.\u003c\/p\u003e, \u003cp\u003eMoira’s eponymous collection was inspired by clients searching for unusual jewellery that just couldn’t be sourced anywhere. Influenced by nature itself, Moira put together a collection representing the forms of flora and fauna, employing what are now rare traditional setting techniques, old-cut stones and enamel in its various styles. The plique à jour method resembles rich stained glass. These romantic pieces are set to become the heirlooms of the future.\u003c\/p\u003e","brand":"Moira","offers":[{"title":"Default Title","offer_id":63797248491850,"sku":"17502B","price":15000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/moira-sapphire-diamond-emerald-and-silver-upon-gold-bird-of-paradise-brooch-circa-2002_46437d27-784b-4b78-9dec-484647dd2726.jpg?v=1791140533"},{"product_id":"moira-pink-plique-jour-enamel-diamond-and-gold-butterfly-earrings","title":"Moira Pink Plique à Jour Enamel, Diamond and Gold Butterfly Earrings","description":"\u003cp\u003eA pair of Moira pink butterfly earrings, with red to colourless, plique à jour, enamel wings, with black veins, with round brilliant-cut diamonds, set in the thorax, abdomen and wing edges, mounted in 18ct yellow gold, with alpha clip fittings.\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63797254586698,"sku":"2.21E+24","price":2750.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/moira-pink-plique-jour-enamel-diamond-and-gold-butterfly-earrings_1bfc9105-65ba-4eef-b6aa-427b0bed9a62.jpg?v=1791140601"},{"product_id":"moira-ruby-diamond-plique-jour-enamel-silver-and-gold-calla-lily-necklace","title":"Moira Ruby Diamond Plique à Jour Enamel Silver and Gold Calla Lily Necklace","description":"\u003cp\u003eA modern, ruby and diamond calla lily floral wreath necklace, which is part of the MOIRA Collection, featuring calla lilies, in a graduating wreath, which are pavé set with rubies and yellow diamond set spadices, with stems which are set with round brilliant cut diamonds, in grain settings, with green plique à jour enamel and diamond set leaves, with articulating links, mounted in silver-upon-gold.\u003c\/p\u003e","brand":"Moira","offers":[{"title":"Default Title","offer_id":63797256585546,"sku":"23703N","price":65000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/moira-ruby-diamond-plique-jour-enamel-silver-and-gold-calla-lily-necklace_ec92eb53-58e0-4a22-a2d8-f894b08d5798.jpg?v=1791140670"},{"product_id":"moira-sapphire-diamond-plique-jour-enamel-silver-and-gold-calla-lily-necklace","title":"Moira Sapphire Diamond Plique à Jour Enamel Silver and Gold Calla Lily Necklace","description":"\u003cp\u003eA modern, sapphire and diamond calla lily floral wreath necklace, which is part of the MOIRA Collection, featuring calla lilies, in a graduating wreath, which are pavé set with sapphires and yellow diamond set spadices, with stems which are set with round brilliant cut diamonds, in grain settings, with green plique à jour enamel and diamond set leaves, with articulating links, mounted in silver-upon-gold.\u003c\/p\u003e","brand":"Moira","offers":[{"title":"Default Title","offer_id":63797261664586,"sku":"28710N1","price":55000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/moira-sapphire-diamond-plique-jour-enamel-silver-and-gold-calla-lily-necklace_5d5e88a4-c0a0-4044-a5a4-bc539282d583.jpg?v=1791140800"},{"product_id":"mellerio-wood-and-18-carat-gold-cufflinks-circa-1960","title":"Mellerio Wood and 18 Carat Gold Cufflinks, Circa 1960","description":"\u003cp\u003eA pair of vintage Mellerio cufflinks, set with two sections of dark wood and two alternate sections of 18ct gold, in circular discs, signed Mellerio, with chain link connections and a bar on the other end, with French eagle marks for 18ct gold, circa 1960.\u003c\/p\u003e","brand":"Mellerio","offers":[{"title":"Default Title","offer_id":63797262123338,"sku":"6910CL","price":3950.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/mellerio-wood-and-18-carat-gold-cufflinks-circa-1960_b4e83b32-30b1-4204-9804-552859abaf5c.jpg?v=1791140821"},{"product_id":"tiffany-co-art-deco-enamel-and-gold-cufflinks-circa-1925","title":"Tiffany \u0026 Co. Art Deco Enamel and Gold Cufflinks, Circa 1925","description":"\u003cp\u003eA pair of Art Deco Tiffany \u0026amp; Co. red and black enamel on gold cufflinks, with geometric designs. One bar is signed Tiffany \u0026amp; Co. With French eagle marks for 18ct gold and maker's marks, circa 1925.\u003c\/p\u003e","brand":"Tiffany \u0026 Co","offers":[{"title":"Default Title","offer_id":63797273723210,"sku":"11111CL","price":7000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/tiffany-co-art-deco-enamel-and-gold-cufflinks-circa-1925_07a0415d-7314-4ed8-ad99-66f41ef85c9f.jpg?v=1791140907"},{"product_id":"art-deco-tiffany-co-platinum-and-diamond-cufflinks-circa-1920","title":"Art Deco Tiffany \u0026 Co. Platinum and Diamond Cufflinks, Circa 1920","description":"\u003cp\u003eA pair of Art Deco Tiffany \u0026amp; Co. cufflinks, with a diagonal bar, channel set with French-cut diamonds, on frosted platinum cut corner squares, with bar fittings, signed Tiffany \u0026amp; Co., circa 1920.\u003c\/p\u003e","brand":"Tiffany \u0026 Co","offers":[{"title":"Default Title","offer_id":63797283684682,"sku":"3213CL2","price":11000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/art-deco-tiffany-co-platinum-and-diamond-cufflinks-circa-1920_4bf0ed1e-a1c0-4256-9a31-39da9590185d.jpg?v=1791141020"},{"product_id":"vintage-webb-gold-horse-cufflinks","title":"Vintage Webb Gold Horse Cufflinks","description":"\u003cp\u003eA pair of vintage gold horse cufflinks, by Webb, with horse heads surmounted on horseshoes, with nails as bars. Signed Webb. Circa 1960.\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63797288370506,"sku":"4214CL","price":11000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/vintage-webb-gold-horse-cufflinks_da8ae4c0-9f45-4c40-8189-57ab42bdbade.jpg?v=1791141132"},{"product_id":"j-e-caldwell-sapphire-diamond-and-platinum-cufflinks-dated-1922","title":"J. E. Caldwell Sapphire, Diamond and Platinum Cufflinks, Dated 1922","description":"\u003cp\u003eA pair of Art Deco sapphire and diamond cufflinks by J. E. Caldwell, mounted in platinum, with a directional finish, with a diagonal line of pavé set old-cut diamonds (36 stones approximately 0.70ct), with sapphires set at the ends (16 in total, French-cut calibré baguettes approximately 0.35ct), numbered J20173, engraved H van S to BHH 1922, in a J. E. Caldwell box, with the initials B.H.H.\u003c\/p\u003e","brand":"J. E. Caldwell","offers":[{"title":"Default Title","offer_id":63797290402122,"sku":"14214CL1","price":6000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/j-e-caldwell-sapphire-diamond-and-platinum-cufflinks-dated-1922_4bf04614-d789-424a-bee3-be0259aa7e79.jpg?v=1791141140"},{"product_id":"cartier-art-deco-diamond-and-platinum-bracelet-22-40-carats-circa-1929","title":"Cartier Art Deco Diamond and Platinum Bracelet, 22.40 Carats, Circa 1929","description":"\u003cp\u003eAn Art Deco diamond bracelet by Cartier Paris, for Cartier New York, comprising four flexible segments, designed with an elongated octagonal buckle, enhanced by four, raised ribbons of channel set square-cut diamonds, flanked by two, entwined, D-shaped motifs, pavé set with round brilliant and old mine-cut diamonds, with baguette channel set bridge links, one integrating the spring hook clasp, mounted in platinum, signed Cartier, numbered 61603, 905421, 1540, with an illegible maker's mark, with French dog head mark for platinum, circa 1929. The estimated total diamond weight is 22.40 carats. Accompanied by I.A.J.A. Expertise certificate of authenticity number XP1790-020524.\u003c\/p\u003e","brand":"Cartier","offers":[{"title":"Default Title","offer_id":63797291123018,"sku":"11214T","price":195000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/cartier-art-deco-diamond-and-platinum-bracelet-22-40-carats-circa-1929_c61bed38-8349-4d14-b813-18e338d61472.jpg?v=1791141152"},{"product_id":"vintage-weingrill-black-onyx-diamond-and-gold-dress-set-circa-1960","title":"Vintage Weingrill Black Onyx, Diamond and Gold Dress-Set, Circa 1960","description":"\u003cp\u003eA vintage Weingrill black onyx and diamond dress-set, set with black onyx and a diamond in each plate, in a square shape with cut corners, mounted in 18ct yellow gold, signed Weingrill, stamped 750, with an Italian mark * 15 VR. Please note one stud has been plated white gold, circa 1960.\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003eCarlo Weingrill (b.1856-d.1924) established the company in 1879. He was born in Verona, Italy. At the age of eleven, he began his apprenticeship in a goldsmith’s shop. Upon completing his training at the age of 22, he decided to open his own factory.\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003eCarlo Weingrill’s goal was to make the finest 18ct gold jewels, using the highest quality materials, with exceptional craftsmanship. Every piece was handmade, using traditional artisan techniques, eschewing the use of machines, designed to be worn and enjoyed regularly.\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003eIn Italy, a craftsman could become a goldsmith after apprenticing for two years, At Weingrill, apprenticeships lasted seven years.\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003eFor Weingrill, gold has always been king of metals for jewellery. Diamonds and coloured gemstones were employed sparingly. From the 1900s to the 1940s, Weingrill was recognised for its curving, Art Nouveau, floral motifs and the geometric shapes of the Art Deco period. These styles inspired pieces designed decades later, with the company’s refusal to embrace current fads instead of gathering inspiration from Weingrill’s original moulds.\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003eThe business flourished, and Carlo brought his two sons, Armando and Gastone, into the business. They took over when Carlo died and grew the small artisan concern into a major player in the industry.\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003eThe 15 VR mark was originally registered on 8th July, 1935\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003eIn time the quality of Weingrill’s jewels would attract the attention of some of the biggest names in 20th century fine jewellery. They made the classic Trinity bangles for Cartier, for Tiffany they made a variety of gold cuffs and bracelets and most famously they created the tubogas bracelets, necklaces and rings for Bulgari, although the invention of the design is ascribed to the French manufacturer Auguste Lion, in 1863\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003eArmando Weingrill died in 1959. The company was then run by Gastone, until his death, in 1977.\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003eThe registration was updated on 26th March, 1968, to Weingrill Carlo S.p.A., Via Filopanti 2A, Verona. This information was entered by Gastone Weingrill.\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003eArmando’s daughter, Paola Weingrill, was the next in line to take on the business, becoming chief executive officer. Paola trained her son, Carlofilippo Mensi Weingrill, to assume the reins of the company upon her retirement. Carlofilippo is now leads firm, representing the fourth generation to head the house.\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size:8.5pt;line-height:107%;font-family:Verdana, sans-serif;\"\u003eWith thanks to Trev. at 925-1000 forum\u003c\/span\u003e and Wilsons\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63797291745610,"sku":"17214CL","price":2400.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/vintage-weingrill-black-onyx-diamond-and-gold-dress-set-circa-1960_8cf9b697-024a-4f68-bc41-eccaf53e512f.jpg?v=1791141179"},{"product_id":"moira-modern-plique-jour-enamel-pink-sapphire-diamond-and-gold-butterfly-brooch","title":"Moira Modern Plique à Jour Enamel Pink Sapphire Diamond and Gold Butterfly Brooch","description":"\u003cp\u003eA Moira modern plique à jour enamel, sapphire and diamond butterfly brooch, with orange to yellow plique à jour enamel wings, with a pink sapphire, weighing 0.08 carats, rub over set in the thorax, and round brilliant-cut diamonds, with a total weight of 0.39 carats, set in the wings, abdomen, eyes and antennae, mounted in 18ct yellow gold, with a pin and trombone safety catch. \u003c\/p\u003e","brand":"Moira","offers":[{"title":"Default Title","offer_id":63797297185098,"sku":"S2215B10","price":2500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/moira-modern-plique-jour-enamel-pink-sapphire-diamond-and-gold-butterfly-brooch_265195dd-9d67-44d4-a5e9-9a102ce44989.jpg?v=1791141264"},{"product_id":"modern-blue-basse-taille-enamel-diamond-and-gold-butterfly-ring","title":"Modern Blue Basse Taille Enamel Diamond and Gold Butterfly Ring","description":"\u003cp\u003eA Moira butterfly ring, with dark blue basse taille enamel wings, set with a total of 0.39 carats of round brilliant-cut diamonds in the edges and centres of the wings, head and abdomen, mounted in gold, with a plain polished shank.\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63797300560202,"sku":"S28715R2","price":4000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/modern-blue-basse-taille-enamel-diamond-and-gold-butterfly-ring_60b8fa01-cc9d-4dfc-bdf8-146ad56ab8c9.jpg?v=1791141370"},{"product_id":"cartier-7-51-carat-gia-certified-burma-sapphire-diamond-gold-and-platinum-ring-circa-2000","title":"Cartier 7.51 Carat GIA Certified Burma Sapphire, Diamond, Gold and Platinum Ring, Circa 2000","description":"\u003cp\u003eA Cartier sapphire and diamond ring, set with an emerald-cut, non heat treated Burma sapphire, with an estimated weight of 7.51 carats, in an 18ct yellow gold four claw setting, with shoulders set with a trapezoid and a trilliant-cut diamond on each side, weighing an estimated total of 1.60 carats, onto a polished shank, mounted in platinum, signed Cartier, numbered 802647, circa 2000, in its original Cartier box. Accompanied by GIA certificate 2173470219 and an I.A.J.A. Expertise certificate of authenticity XP1752-070524.\u003c\/p\u003e","brand":"Cartier","offers":[{"title":"Default Title","offer_id":63797304721738,"sku":"S26116R2","price":160000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/cartier-7-51-carat-gia-certified-burma-sapphire-diamond-gold-and-platinum-ring-circa-2000_ff939d10-e2a5-4a38-9032-3ca77815ea04.jpg?v=1791141496"},{"product_id":"desbazeille-art-nouveau-champagne-diamond-and-gold-cufflinks-circa-1895","title":"Desbazeille Art Nouveau Champagne Diamond and Gold Cufflinks, Circa 1895","description":"\u003cp\u003eA pair of French, Art Nouveau, champagne brown diamond and yellow gold floral cufflinks, for Maison G. Desbazeille, with old-cut pink toned dark champagne brown diamonds, in rub over settings, in the centre of engraved sunflower like flowers, with a twisted wire border, on chain links, mounted in gold, with French eagle head marks for 18ct gold and maker's mark G*D for Germain Desbazeille, circa 1895.\u003cbr\u003e\u003cbr\u003eLouis Desbazeille became partners with Ernest Derouen, circa 1872. In 1877 Louis Desbazeille started his own business. He specialised in carved gems, cameos, intaglios and engraved garnets and gentlemens jewellery, such as cufflinks, lockets, swivel seals, rings and stickpins. His son, Germain, joined the firm, in 1881. Louis Desbazeille retired in 1886. La Maison G. Desbazeille, broadened the range, to include plique-à-jour jewellery with Arabic, Persian and Japanese themes, hair combs, bookmarks and hatpins. Germain used pierced cameos (à jour) in an attempt to boost their popularity. By 1889 cameos and intaglios had become less fashionable. Germain Desbazeille concentrated on marketing medal jewellery accented with applied patinas and enamels. Medal jewels, imitating ancient Greek and Roman medals and coins, was a branch of the Art Nouveau jewellery movement. Master medal engravers and those adept at the use of the tour à réduire were in high demand and received important commissions from the top jewellers. Desbazeille commissioned some of the most excellent examples, including the 'Cleopatra', 'The Four Seasons', 'Women with Flowers' and 'Saint George' medals by Émile-Séraphin Vernier (1852-1927). From 1895 the firm also kept Oscar Roty (1846-1911) occupied with the creation of religious and irreligious medals. Roty was an expert in the use of the tour à réduire - a machine, inspired by a lathe, designed in Russia, in the 1700s, to reduce designs and etch metals. He studied at the Ecole de Beau Arts, Paris. In 1885 he was awarded the Chevalier of the Légion d'Honneur. He won the Grand Prix for his medal jewellery in 1889. Germain Desbazeille, whose maker's mark is a G, a star and a D in a lozenge, had premises at 6 rue Monsigny, Paris.\u003c\/p\u003e","brand":"Desbazeille","offers":[{"title":"Default Title","offer_id":63797305049418,"sku":"S28116CL2","price":21000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/desbazeille-art-nouveau-champagne-diamond-and-gold-cufflinks-circa-1895.jpg?v=1791141517"},{"product_id":"aletto-brothers-colombian-emerald-diamond-platinum-and-gold-ring-circa-2000","title":"Aletto Brothers Colombian Emerald, Diamond, Platinum and Gold Ring, Circa 2000","description":"\u003cp\u003eA Colombian emerald and diamond ring, set with a 2.40ct cushion shaped step-cut emerald, in an 18ct yellow, gold four-claw setting, accompanied by GIA certificate 5172407807, stating that the emerald shows characteristics of Colombian origin and no indications of clarity enhancement, with an emerald-cut diamond set in each shoulder, weighing 0.43ct each, mounted in platinum, with a heavy, slightly tapered shank, signed Aletto.\u003c\/p\u003e, \u003cp\u003e\u003cspan style=\"font-size:8.5pt;line-height:107%;font-family:Verdana, sans-serif;\"\u003eFrom nineteenth century Italy to present day Florida, the Aletto family has been hand-crafting fine jewellery for five consecutive generations. In 1889, the house's story began when Neapolitan Bartolomeo Aletto was commissioned to design and produce a piece of jewellery commemorating the completion of the Eiffel Tower at the Exposition Universelle in Paris.\u003c\/span\u003e\u003c\/p\u003e, \u003cp\u003e\u003cspan style=\"font-size:8.5pt;line-height:107%;font-family:Verdana, sans-serif;\"\u003eBartolomeo's son, Raffaele, continued his father's legacy, working for many leading Italian jewellers of the day. In 1949, Raffaele’s son, Alberto, left Naples for Caracas, Venezuela, where he established a factory with more than 100 employees. The company moved to New York City in the 1960s.\u003c\/span\u003e\u003c\/p\u003e, \u003cp\u003e\u003cspan style=\"font-size:8.5pt;line-height:107%;font-family:Verdana, sans-serif;\"\u003eAlfredo Aletto (Bartolomeo's great-grandson) established the Aletto Brothers family business at 119 E Palmetto Park Road, Boca Raton, Florida. \u003c\/span\u003e\u003c\/p\u003e, \u003cp\u003e\u003cspan style=\"font-size:8.5pt;line-height:107%;font-family:Verdana, sans-serif;\"\u003eAlfredo crafts each piece, through each step of fabrication, rather than having workers dedicated to each stage. This is unusual in modern jewellery houses. He is self-taught, having learnt by experimenting with different techniques until he mastered them. He made up his mind to learn and master 'invisible' setting. He then approached Van Cleef \u0026amp; Arpels, who had pioneered the method in the 1930s. He met with Claude Arpels himself and was offered contract work for the company in the mid-1980s.\u003c\/span\u003e\u003c\/p\u003e, \u003cp\u003e\u003cspan style=\"font-size:8.5pt;line-height:107%;font-family:Verdana, sans-serif;\"\u003eAlfredo and his four children, Alberto, Amy, Luigi and Mario continue the business today, where they have been part of Boca Raton’s downtown community for more than 30 years.\u003c\/span\u003e\u003c\/p\u003e, \u003cp\u003e\u003cspan style=\"font-size:8.5pt;line-height:107%;font-family:Verdana, sans-serif;\"\u003eWith thanks to Anne Mock, GG, Associate Specialist, Phillips Auctioneers and Aletto Brothers website.\u003c\/span\u003e\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63797306589514,"sku":"S1216R","price":52000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/aletto-brothers-colombian-emerald-diamond-platinum-and-gold-ring-circa-2000_5ef555af-7e05-4a4d-ac0f-60bb386bf6af.jpg?v=1791141526"},{"product_id":"wiese-cornelian-intaglio-cufflinks-circa-1925","title":"Wiese Cornelian Intaglio Cufflinks, Circa 1925","description":"\u003cp\u003eA pair of Wiese, intaglio cufflinks, set with cornelian intaglios, mounted in 18ct gold. The intaglios depict a child's head; the bust of a philosopher; Hygeia, the Greek goddess of hygiene, with a serpent around her neck, this intaglio is dated to circa third century A. D. and Gryllus, a Greek mythological character, who was half man, half pig, with two faces, one on his stomach; this intaglio is dated to circa second century A. D.. The cast mounts depict three rows of rope style wire twists, with a beading surround, in fine gold, with carabiner fittings, with French eagle marks, signed Wiése. Accompanied by an invoice dated 1925.\u003c\/p\u003e, \u003cp\u003e\u003cbr\u003eJules Wièse is regarded as one of the finest silver and goldsmiths of the 19th Century. Born in Berlin in 1818 he became apprenticed to the court goldsmith Johann Georg Hossaeur at the age of sixteen. Not long afterwards he moved to Paris, working first for J-V Morel before settling in a position with the renowned jewellers Froment-Meurice in 1839. He quickly rose to become workshop manager, tripling his wage in the process, before deciding that further financial gains could be made by setting up his own workshop which he did in 1845 at number 7, rue Jean-Pain-Mollet. To begin with he worked exclusively for his former employer who recognised his invaluable contribution at the 1849 Paris Exposition by ensuring that Wièse was awarded a collaborators medal. By the time of the next Paris fair six years later, Wièse was exhibiting under his own name having registered his makers mark some years previously. This consisted of his initials JW with a star above and below within a vertical lozenge it was registered in 1844 and remained in use for the next forty six years. The exposure he gained at this fair won him a significant and widely appreciative audience, including his peers and the judges, who awarded him a First Class medal for his work, commending him on his “excellence as a modeller and inventor”. On seeing his display stand, Wièse’s contemporary M. Magne wrote that he was a “fine goldsmith and jeweller with an already distinguished reputation… the importance of his pieces and his brave experiments reveal, even in the most modest work, an awareness of art and beauty which deserves to be encouraged….” He continued to produce both jewellery and other items such as mirrors, knives and goblets in the Neo-Renaissance style for many years, winning further medals in Paris and London, and securing various commissions including one from the city of Autun for a decorative presentation sword. His work was highly sculptural, often featuring figures which could be either human or mythological in nature, many with a definite Gothic overtone. In 1880 his son Louis (1852-1923) assumed control of the workshop having been trained by his father and when Jules died ten years later, Louis registered his own makers mark - the name WIESE with a star above and one below in a horizontal lozenge. Described by Vever as “an exceptionally modest and truly talented artist” Louis sought to continue the exemplary reputation for fine craftsmanship that his father had earned during his career. He continued working in the same tradition, producing beautifully crafted goldwork (sometimes to his father’s designs) which explored the familiar themes of the Neo-Renaissance and Gothic imagination whilst also looking to religion and archaeology to inspire him. He frequently employed grotesque beasts and gargoyles, ecclesiastic detailing and historic influences. If gems were used he would typically set them using antique-inspired methods and he was also known to use mercury oxide to distress the surface of metal, further enhancing the ‘aged’ appearance of his jewels. Enamelling was used to introduce colour and add another dimension to his pieces which are still highly regarded today and collected by a discerning group of individuals including contemporary goldsmiths. Examples of Wièse jewellery can be found in major museums worldwide including the British Museum and the Musée des Arts Décoratifs in Paris.\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63797306917194,"sku":"S14216CL","price":20000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/wiese-cornelian-intaglio-cufflinks-circa-1925_f1180d2e-f843-4ca6-9574-b0185deae622.jpg?v=1791141539"},{"product_id":"french-georges-le-sach-for-tiffany-co-art-nouveau-sapphire-ruby-and-gold-cufflinks-circa-1890","title":"French Georges Le Saché for Tiffany \u0026 Co. Art Nouveau Sapphire Ruby and Gold Cufflinks, Circa 1890","description":"\u003cp\u003eA pair of Tiffany art nouveau sapphire and ruby cufflinks, with three cabochon sapphires set on one side and three cabochon rubies on the other, mounted on a foliate design, with an oval surround, in 18ct gold, with red patina, signed Tiffany \u0026amp; Co., engraved L.C.J. on each back. Each part has a French eagle mark, for 18ct gold and French makers marks with LS, in a lozenge, over an oval with a dot in the middle, which is a bobeche - a candle holder, for Georges Le Saché, whose marks were registered in 1885 and 1920, circa 1890.\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003eGeorges Le Saché was a respected French jewellery designer and manufacturer who created pieces for some of the most prominent jewellery houses of the late 19th and early 20th Centuries. Born into a creative family in Paris in 1849, Georges Le Saché showed artistic promise early in life. His grandfather Jean-Jacques Le Saché was an engraver for the Paris Mint and was commissioned by the Mayor of Ghent in 1810 to make a medal for which he was praised not only for “the imaginative handling of the subject” but also the “meticulous craftsmanship evident in the piece”. His father, Emile, was a talented draughtsman, with a particular skill for line engraving, whilst his mother ran a jewellery shop in Paris’s Palais Royal. \u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003eThe young George wanted to be a painter. His creative talents were nurtured and inspired by spending much of his early youth with artists, including one of the best academic painters, William-Adolphe Bouguereau. He planned to attend the Ecole des Beaux-Arts in Paris however his parents wanted a more secure career path for him. Fearing the life of a painter was too unstable, they sent him to Germany, in 1866, at the age of 17. He worked for the renowned jewellery firm, Friedman, which was well known in France at the time and where Carl Fabergé would go to train a few years later. Le Saché's his skill as an artist was quickly recognised and he worked on the rendering of designs, whilst being exposed to all aspects of the jewellery trade. He then travelled to England where he studied and learnt as much as possible, applying his knowledge of drawing and design to a variety of decorative arts. At the outbreak of war in 1870 he returned to France, where he spent six months serving in the 1st battalion of the Seine regiment, until March 1871. He then returned to London for another year, until settling back in Paris, finding work as a designer for the jeweller Lucien Falize. \u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003eThis proved an important period in Le Saché’s life as he and Falize became friends as well as professional collaborators. Falize taught him much about the jewellers’ art and Le Saché's position enabled him to study a wide variety of wonderful jewels, both antique and contemporary. The craft of the goldsmith inspired Le Saché’s designs, leading him to become a knowledgeable and skilled manufacturer, thanks to the careful tutelage and encouragement of his friend. After five years of working with Falize, Le Saché left, to join the highly regarded manufacturing jewellery company, Baucheron et Guillain, in 1877. His marriage to Baucheron’s daughter made a move to the family business almost inevitable. Eventually he would take it over as his own. He soon came to create pieces for some of the most famous Parisian jewellery houses of the period, who exhibited his pieces at the world fairs, both in Paris and internationally. He also attracted the attention of the American jewellers, Tiffany \u0026amp; Co., who commissioned various pieces from him.\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003eLe Saché ran his workshop for over thirty years, preferring to remain anonymous. He worked to commission and sold only through agents. His workshop trained a steady stream of apprentices and craftsmen, never forgetting his enriching five years with Falize. The quality of his work spoke for itself. He was recognised by his peers, in 1901, with a large silver-gilt plaque, awarded for what Henri Vever referred to as the “rare talents and absolute integrity of an excellent artist and manufacturer”. Despite never seeking attention for himself his pieces are now in some of the most important jewellery collections in the world.\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family:Calibri, sans-serif;font-size:14.6667px;\"\u003eWith thanks to Hancocks.\u003c\/span\u003e\u003c\/p\u003e","brand":"Tiffany \u0026 Co","offers":[{"title":"Default Title","offer_id":63797308064074,"sku":"S3616CL4","price":14000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/french-georges-le-sach-for-tiffany-co-art-nouveau-sapphire-ruby-and-gold-cufflinks-circa-1890_248384a1-d408-48e1-9224-47a4a83ff46a.jpg?v=1791141577"},{"product_id":"van-cleef-arpels-gold-stirrup-cufflinks-circa-1960","title":"Van Cleef \u0026 Arpels Gold Stirrup Cufflinks, Circa 1960","description":"\u003cp\u003eA pair of French, Van Cleef \u0026amp; Arpels 18ct gold stirrup cufflinks, with reeded engraving, with concealed openings in the centre and hinged white gold curved back plates, signed V.C.A,, with French eagle marks, for 18ct gold, maker's marks, Brevette S.D.D.G. guarantee marks, design number 78454, with sections numbered 3 and 5, circa 1960.\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63797310521674,"sku":"S131216CL","price":2950.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/van-cleef-arpels-gold-stirrup-cufflinks-circa-1960_e82d1c6b-24cd-456b-81b4-c9666bb646f7.jpg?v=1791141620"},{"product_id":"vintage-tiffany-co-gem-set-pearl-and-gold-pendant-brooch-circa-1937","title":"Vintage Tiffany \u0026 Co. Gem Set, Pearl and Gold Pendant Brooch, Circa 1937","description":"\u003cp\u003eA vintage, Tiffany \u0026amp; Co., gem set, diamond and pearl floral circle pendant-brooch, with four clusters of three pearls, and four gem set flowers or clover leaves, each flower set with an old-cut diamond, surrounded by three gem set petals including mixed colours of sapphire, amethyst and peridot, on knife edge spacers, set in 14ct yellow gold, stamped 14K, signed Tiffany \u0026amp; Co, engraved Y.T.T., D.F.B., June 9-1922 -.- June 9 -1937, with a foldable pendant loop. This delightful brooch was probably given as a 15th wedding anniversary gift.\u003c\/p\u003e","brand":"Tiffany \u0026 Co","offers":[{"title":"Default Title","offer_id":63797322481994,"sku":"S251017B1","price":6500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/vintage-tiffany-co-gem-set-pearl-and-gold-pendant-brooch-circa-1937_d628adf1-cb2c-4787-81fc-e4a1ca059978.jpg?v=1791141743"},{"product_id":"tiffany-co-gold-and-enamel-cufflinks","title":"Tiffany \u0026 Co. Gold and Enamel Cufflinks","description":"\u003cp\u003eA pair of Tiffany \u0026amp; Co. gold and enamel cufflinks, with solid, concave, oval heads, each edged with a band of blue enamel and a surround of gold, mounted in 18ct gold, with bar fittings, signed Tiffany \u0026amp; Co., and T \u0026amp; Co, stamped 750.\u003c\/p\u003e","brand":"Tiffany \u0026 Co","offers":[{"title":"Default Title","offer_id":63797348008266,"sku":"S11218CL","price":4950.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/tiffany-co-gold-and-enamel-cufflinks_5a97349a-aebe-48c5-a909-55cc89212bdc.jpg?v=1791141773"},{"product_id":"tiffany-schlumberger-black-onyx-turquoise-and-gold-cufflinks-circa-1960","title":"Tiffany Schlumberger Black Onyx, Turquoise and Gold Cufflinks, Circa 1960","description":"\u003cp\u003eA pair of Jean Schlumberger for Tiffany \u0026amp; Co. black onyx and turquoise cufflinks, with turquoise studded black onyx spheres, on 18ct gold, signed Schlumberger and Tiffany \u0026amp; Co., stamped 18K, circa 1960.\u003c\/p\u003e","brand":"Tiffany \u0026 Co","offers":[{"title":"Default Title","offer_id":63797352005962,"sku":"S18219CL","price":5350.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/tiffany-schlumberger-black-onyx-turquoise-and-gold-cufflinks-circa-1960_ccdbf1e5-13ab-43f2-86cd-a984b4ad6fd2.jpg?v=1791141852"},{"product_id":"giuliano-enamel-peridot-moonstone-garnet-and-gold-pendant-circa-1885","title":"Giuliano Enamel, Peridot, Moonstone, Garnet and Gold Pendant, Circa 1885","description":"\u003cp\u003eA Carlo Giuliano enamel, peridot, moonstone, garnet and gold pendant with a cabochon-cut peridot, in the centre of a cluster of eight, cabochon-cut moonstones, with a blue, white, black and red enamelled fleur-de-lys surround, bordered by a circle of white spotted black enamel, with a briolette-cut garnet pendant, with a black, blue and white enamelled cap and a black and white enamelled pendant bail, mounted in gold, circa 1885.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e, \u003cp\u003e\u003cspan\u003eCarlo Giuliano (1831-1895) was a jeweller and goldsmith, born in Naples, Italy in 1831, it’s believed that Giuliano was trained in Alessandro Castellani’s workshop in Rome,\u003c\/span\u003e and later sent to London to establish a branch of the Casa Castellani.\u003c\/p\u003e, \u003cp\u003e\u003cspan\u003eAfter leaving Castellani’s employment in the early 1860’s, Giuliano opened his own workshop manufacturing jewellery at 13 Frith Street in Soho. During this time, without a shopfront, Giuliano retailed his jewels through a number of established and well-respected jewellers such as Robert Phillips, C.F. Hancock, Harry Emanuel and Hunt \u0026amp; Roskell. Items produced for these retailers were sometimes “double-marked” with the C.G. Goldsmith’s Hall registered mark for Giuliano and the mark of the seller. \u003c\/span\u003e\u003c\/p\u003e, \u003cp\u003e\u003cspan\u003eGiuliano’s early work took inspiration from archaeological jewellery, and focused on revivalist designs, carefully adapting them to suite the taste and fashions of the period. \u003c\/span\u003e\u003c\/p\u003e, \u003cp\u003e\u003cspan\u003eIn 1874, he branched out, opening a retail outlet at 115 Piccadilly, following it’s success, he closed the workshop on Frith Street in 1877, moving all production in-house to the Piccadilly premises. Specialising in Renaissance-style design, Giuliano was known for his craftsmanship and the renowned pieces, decorated with beautifully detailed enamel, pearls and a wide variety of gems, preferring cabochons to the usual faceted stones, were highly regarded and attracted a varied and loyal clientele.\u003c\/span\u003e His work was commissioned by Royalty such as Queen Victoria as a gift for her goddaughter Victoria Gray. This piece, along with many others from Giuliano’s collection, can be viewed at the Victoria \u0026amp; Albert Museum in London.\u003c\/p\u003e, \u003cp\u003e\u003cspan\u003eCarlo Giuliano died in 1895, leaving his business to his two sons, Carlo Joseph and Arthur Alphonse. They renamed the company Carlo \u0026amp; Arthur Giuliano, bearing the makers mark C \u0026amp; AG. The brothers continued to operate from the premises in Piccadilly until 1912, when they moved to 48 Knightsbridge. Sadly, two years later, the tragic suicide of Arthur in August 1914, brought an end to the company.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63797352923466,"sku":"S30519P2","price":20500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/giuliano-enamel-peridot-moonstone-garnet-and-gold-pendant-circa-1885_132103b6-b176-4298-afb7-3bc65ec5d12a.jpg?v=1791141878"},{"product_id":"tiffany-co-star-ruby-diamond-and-platinum-dress-set-circa-1950","title":"Tiffany \u0026 Co. Star Ruby Diamond and Platinum Dress-Set, Circa 1950","description":"\u003cp\u003eA Tiffany \u0026amp; Co., vintage, ruby and diamond dress-set, comprising of a pair of cufflinks and three dress studs, each set with an oval cabochon star ruby, in the centre of platinum squares, with cut corners, the cufflinks have a baguette-cut diamond set at each end of the ruby, with figure-of-eight links, signed \"Tiffany \u0026amp; Co.\", circa 1950.\u003c\/p\u003e","brand":"Tiffany \u0026 Co","offers":[{"title":"Default Title","offer_id":63797354365258,"sku":"S241019CL3","price":7500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/tiffany-co-star-ruby-diamond-and-platinum-dress-set-circa-1950_d3ef0e4d-0249-4611-9533-32efcde4753c.jpg?v=1791141905"},{"product_id":"art-deco-cartier-ruby-and-platinum-dress-set-circa-1930","title":"Art Deco Cartier Ruby and Platinum Dress Set, Circa 1930","description":"\u003cp\u003eA Cartier Art Deco ruby and platinum gentlemen's dress-set, comprising a pair of cufflinks, four buttons and two studs, the buttons and cufflink heads are each set with two rows of eight calibre-cut rubies, in box settings, the collar studs are set with a single row of three calibre-cut rubies, mounted in flat polished discs of platinum, signed Cartier London, the cufflinks are numbered 3672 and have platinum hinged, chain and bar fittings, each button is numbered 3673 and has a platinum loop on the reverse, for removable split ring fittings, the collar studs have disc back, screw fittings. The dress-set comes in its original, fitted, Cartier, red leather and gold tooled, half-moon shaped case, circa 1930.\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63797355348298,"sku":"XS\u0026AN2920CL","price":22000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/art-deco-cartier-ruby-and-platinum-dress-set-circa-1930_460510ac-5831-4cfb-8338-697a0e60182f.jpg?v=1791141923"},{"product_id":"david-webb-vintage-rock-crystal-diamond-and-enamel-ring-circa-1980","title":"David Webb Vintage Rock Crystal, Diamond and Enamel Ring, Circa 1980","description":"\u003cp\u003eA vintage David Webb bombé style ring, comprised of a raised rock crystal centre, carved to create a horizontal, ribbed design, crossed with three columns of round brilliant-cut diamonds set within it, with black enamel bands either side, mounted in platinum and 14ct white gold. Stamped \"WEBB\", stamped Plat, 14K, circa 1980. The estimated total diamond weight is 1.40 carats.\u003c\/p\u003e","brand":"David Webb","offers":[{"title":"Default Title","offer_id":63797357773130,"sku":"XSC\u0026SL2321R7","price":18000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/david-webb-vintage-rock-crystal-diamond-and-enamel-ring-circa-1980.jpg?v=1791141962"},{"product_id":"cartier-french-art-deco-diamond-and-platinum-bracelet-18-70-carats-circa-1929","title":"Cartier French Art Deco Diamond and Platinum Bracelet, 18.70 Carats, Circa 1929","description":"\u003cp\u003eA French, Art Deco, Cartier strap bracelet, comprising three, rectangular, flexible, openwork, pavé set diamond panels, each centre has a trap-cut diamond, in a claw setting, flanked by triangular and fancy-cut diamonds, upon borders of pavé set old European and eight-cut diamonds, with two pairs of raised, box set, square-cut diamonds and pentagonal spatula shaped connections, at either end of each rectangle, each with a raised, bullet shaped diamond baguette, onto three, alternating, open, square-shaped buckle links, set with old European-cut diamonds, one connection incorporates the spring hook clasp, mounted in platinum, signed Cartier, Paris, Made in France, numbered 02838 (the fourth digit is uncertain), with a French dog head mark for platinum, circa 1929. The total estimated diamond weight is 18.70 carats. Accompanied by an I.A.J.A. Expertise certificate of authenticity XP1750-020524.\u003c\/p\u003e","brand":"Cartier","offers":[{"title":"Default Title","offer_id":63797358002506,"sku":"XSC\u0026SL2321T3","price":180000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/cartier-french-art-deco-diamond-and-platinum-bracelet-18-70-carats-circa-1929_ef119978-6a3b-4874-8121-a8ff2ff85db4.jpg?v=1791141970"},{"product_id":"black-starr-frost-diamond-and-platinum-cocktail-wristwatch-with-longines-movement-circa-1930","title":"Black Starr \u0026 Frost Diamond and Platinum Cocktail Wristwatch, with Longines Movement, Circa 1930","description":"\u003cp\u003eA Black Starr \u0026amp; Frost, Art Deco diamond and platinum cocktail wristwatch, featuring a rectangular off-white dial with cut corners, black Roman numerals, hands, and floral motifs, within a diamond and synthetic sapphire set two part case, the is crown set with a cabochon synthetic sapphire. The bracelet is comprised of two claw set, emerald-cut synthetic sapphires, followed by open, brilliant-cut diamond set square links, joined together by baguette-cut diamond bars, mounted in platinum. Inside is a mechanical movement by Longines. The inside of the case is marked PLATINUM with a monogram, numbered 470 and with service marks PE 6\/21; P110947; PIE10046; P-114263; X9704; 4-37B; 11-2-35B; 6-22-34B; 7375; 6-27-3. The outside of the case is signed Black Starr \u0026amp; Frost, circa 1930. The total estimated diamond weight is 10.00 carats.\u003c\/p\u003e, \u003cp\u003e\u003cspan style=\"font-size:10pt;line-height:107%;font-family:'Segoe UI', sans-serif;color:#02240c;background:#FFFFFF;\"\u003eCaring for your early 20\u003csup\u003eth\u003c\/sup\u003e century watch: watches of this period are not sealed so they should not be worn near water, Even hand washing or wearing in the rain can cause damage to the movement. If your watch does get wet please dry it as quickly as possible. You can open the case to make sure there is no water in the movement. An annual service will keep the watch in best condition. \u003c\/span\u003e\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63797408989514,"sku":"XSC\u0026SL2321W2","price":28000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/black-starr-frost-diamond-and-platinum-cocktail-wristwatch-with-longines-movement-circa-1930_d033e3b2-e34e-436b-8721-887bacf721c6.jpg?v=1791142256"},{"product_id":"moira-poppy-plique-jour-enamel-diamond-silver-and-gold-brooch","title":"Moira Poppy Plique à Jour Enamel, Diamond, Silver and Gold Brooch","description":"\u003cp\u003eA Moira design poppy brooch, with blue to green plique a jour enamel petals, black enamel stamens, with a green enamelled pistil, set with round brilliant-cut diamonds, mounted in gold, with silver settings, with a roller catch fitting.\u003c\/p\u003e, \u003cp\u003e\u003cbr\u003eMoira’s eponymous collection was inspired by clients searching for unusual jewellery that just couldn’t be sourced anywhere. Influenced by nature itself, Moira put together a collection representing the forms of flora and fauna, employing what are now rare traditional setting techniques, old-cut stones and enamel in its various styles. The plique à jour method resembles rich stained glass. These romantic pieces are set to become the heirlooms of the future.\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63797413773642,"sku":"221205B46","price":6500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/moira-poppy-plique-jour-enamel-diamond-silver-and-gold-brooch_3ab04b01-a48d-4016-91cd-50c7f39ff872.jpg?v=1791142342"},{"product_id":"t-b-starr-belle-poque-pearl-platinum-and-gold-brooch-circa-1905","title":"T. B. Starr Belle Époque Pearl Platinum and Gold Brooch, Circa 1905","description":"\u003cp\u003eAn antique, T. B. Starr, Belle Époque diamond, pearl, platinum and gold brooch, featuring a natural pearl, in the centre of an Art Nouveau double whiplash, above three graduating loops, with foliate scroll terminals, set with old-cut diamonds, in grain settings, with larger diamonds, in rub over settings, at the bottom of the scrolls and in five old-cut diamond and natural pearl pendant drops, mounted in platinum on gold; with a gold pin, signed T. B. STARR., with a safety catch fitting, circa 1905.\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003eTheodore B. Starr was among the most prominent and influential jewellery and silversmithing firms in New York, in the late nineteenth and early twentieth centuries. Born in 1837, Theodore Starr founded his company in 1862, at No.18 John Street. He went into partnership with jeweller and silversmith, Herman Marcus, in 1864. The company became known as Starr and Marcus. Marcus left to join Tiffany \u0026amp; Co., in 1877. Starr bought back control of the company, with the name of the company reverting to Theodore B. Starr. The company was incorporated in 1907, by Starr's son. On 1\u003csup\u003est\u003c\/sup\u003e July, 1918, their stock was purchased by the silver firm of Reed and Barton. The firm maintained a shop at 47th Street and Fifth Avenue. Theodore B. Starr finally closed its doors in 1923.\u003c\/p\u003e, \u003cp\u003e\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003eStarr’s work was heralded in the press. On 18\u003csup\u003eth\u003c\/sup\u003e March, 1880, “The Independent” published an article in which \"The House of Theodore B. Starr\" is described as an establishment that develops, \"an educated demand for ‘beauty in use;’\" and where one will find, \"his taste and his intelligence stimulated.\"\u003c\/p\u003e, \u003cp\u003e\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003eStarr encouraged Henry Schrady to cast miniature bronzes that the company could cast from and sell copies of. The bronzes Schrady made were among the first in the US to use the lost-wax process. It was in Starr's gallery that Karl Bitter first saw Schrady's work and hired him to make larger versions of his bull moose and elk buffalo sculptures, to be shown at the 1901 Pan-American Exposition. One cast of the bull moose can be found in the Metropolitan Museum of Art's collection.\u003c\/p\u003e, \u003cp\u003e\u003c\/p\u003e, \u003cp\u003e\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003eWith thanks to Wikipedia, Met Museum and Stein Marks\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63797457715530,"sku":"S17123B1","price":9900.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/t-b-starr-belle-poque-pearl-platinum-and-gold-brooch-circa-1905_4eb2846a-693f-46dd-a1b9-e4a5fd24e172.jpg?v=1791142604"},{"product_id":"moira-plique-jour-enamel-diamond-gold-and-silver-flower-brooch","title":"Moira Plique à Jour Enamel, Diamond, Gold and Silver Flower Brooch","description":"\u003cp\u003eA Moira flower head brooch with blue, pink, green and white plique à jour enamel and diamonds, with a rub over set round brilliant-cut diamond in the centre of a shaded blue to white plique à jour enamel flower, with eight-cut diamonds pavé set in the petal edges, surrounded by pink to green plique à jour enamel leaves, with eight-cut diamonds set in the veins, onto a ribbed gold swirling ribbon, mounted in gold, with silver settings, with a pin and trombone safety catch, signed Moira. Moira’s eponymous collection was inspired by clients searching for unusual jewellery that just couldn’t be sourced anywhere. Influenced by nature itself, Moira put together a collection representing the forms of flora and fauna, employing what are now rare traditional setting techniques, old-cut stones and enamel in its various styles. The plique à jour method resembles rich stained glass. These romantic pieces are set to become the heirlooms of the future.\u003c\/p\u003e, \u003cp\u003eEstimated total diamond weight 1.44 carats.\u003c\/p\u003e","brand":"Moira","offers":[{"title":"Default Title","offer_id":63797464138058,"sku":"S301021B","price":11000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/moira-plique-jour-enamel-diamond-gold-and-silver-flower-brooch.jpg?v=1791142694"},{"product_id":"vintage-merrin-french-diamond-and-gold-mesh-flower-pendant-circa-1960","title":"Vintage Merrin French Diamond and Gold Mesh Flower Pendant, Circa 1960","description":"\u003cp\u003eA vintage Merrin French diamond and gold mesh pendant, designed with articulated, gold edged, gold mesh opening and closing petals, surrounding trembling stamens, set with round brilliant-cut diamonds, in four claw settings, onto gold sepals and ribbed finished leaves, mounted in 18ct yellow gold, signed MERRIN, France, 18KT, with and RS makers mark, with a horseshoe, circa 1960. Estimated total diamond weight 0.42 carats.\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63797465153866,"sku":"S30523P","price":6000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/vintage-merrin-french-diamond-and-gold-mesh-flower-pendant-circa-1960_7c033648-fbc3-4a33-8e91-44ff73de2749.jpg?v=1791142713"},{"product_id":"art-deco-paul-brandt-enamel-and-gold-cufflinks-circa-1930","title":"Art Deco Paul Brandt Enamel and Gold Cufflinks, Circa 1930","description":"\u003cp\u003eA pair of Paul Brandt Art Deco enamel and gold cufflinks, with light jade green, black and white enamel, in a geometric design, on gold, with French eagle head marks for 18ct gold and Paul Brandt PB with torch maker's marks, circa 1930.\u003c\/p\u003e, \u003cp\u003ePaul Brandt was on of the key modern jewellers of the 1920s. He worked with the most famous jewellers of his time, including Fouquet and Sandoz. He was born in Chau-Fonds, in Switzerland, in 1883, moving to Paris when he was young. He studied jewellery, painting, sculpture, carving, enamelling, medal making and stone engraving, with Chaplain and Allard. Finally choosing to specialise in jewellery design he set up his own business, eventually registering his maker's mark on 22nd October, 1912, with his premises at 23 rue Victor-Chevreuil. He first adopted the Art Nouveau style, later moving to the Art Deco style, taking part in the International Exhibition of Decorative Art, in 1925. He considered his jewellery as works works of art in their own right. His final jewellery exhibition was in 1936. From the 1930s he extended his activity to interior design, then to industrial pursuits. He opened a tin factory in rue de Tlemcen, which helped with the war effort. He died in Paris, in 1952.\u003c\/p\u003e, \u003cp\u003eThese cufflinks came from the personal collection of Paul Brandt and are illustrated in the recently published book, Paul Brandt, Artiste Joaillier et Decorateur Moderne, by Bleue-Marine Massard\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63797469020490,"sku":"S22523CL1","price":3900.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/art-deco-paul-brandt-enamel-and-gold-cufflinks-circa-1930_763ced5e-dac1-47fa-baf9-32bdd1d42929.jpg?v=1791142783"},{"product_id":"vintage-herm-s-wood-and-gold-cufflinks-circa-1970","title":"Vintage Hermès Wood and Gold Cufflinks, Circa 1970","description":"\u003cp\u003eA pair of vintage Hermès wood and gold cufflinks, with teak wood discs set in gold curved sided rectangles, with bar fittings, with French eagle head marks for 18ct gold, signed HERMES Paris, numbered 6077and 6074, with a maker's mark Sté and LFV, with an amphora, for Lasbleiz Fournier Vitiello, with scratched invoice marks 13.585, circa 1970.\u003c\/p\u003e, \u003cp class=\"MsoNormal\" style=\"line-height:normal;\"\u003e\u003cspan style=\"font-size:8.5pt;font-family:Verdana, sans-serif;\"\u003eThe Lasbleiz Fournier Vitiello Company, was created by three friends, in 1962, specialising in the manufacture and wholesale of high-quality jewellery and silversmithin. They employed both technological innovations and traditional techniques. Located at 48 rue Meslay, in the 3rd arrondissement of Paris, the company is still independent and family-run. They are suppliers to major Parisian maisons and the most renowned international brands, such as Hermès, Cartier and Van Cleef and Arpels. The amphora, seen on their maker's mark, is the company trademark.\u003c\/span\u003e\u003c\/p\u003e, \u003cp class=\"MsoNormal\" style=\"line-height:normal;\"\u003e\u003cspan style=\"font-size:8.5pt;font-family:Verdana, sans-serif;\"\u003eWith thanks to Lasbleiz Fournier Vitiello Company Linked-In page and Pages Jaunes\u003c\/span\u003e\u003c\/p\u003e","brand":"Hermes","offers":[{"title":"Default Title","offer_id":63797519286602,"sku":"S21918CL","price":4950.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/vintage-herm-s-wood-and-gold-cufflinks-circa-1970_57543d92-279e-4dc8-8def-48a3e62d8adb.jpg?v=1791142942"},{"product_id":"pair-of-cartier-art-deco-ruby-diamond-and-platinum-clips-circa-1937","title":"Pair of Cartier Art Deco Ruby Diamond and Platinum Clips, Circa 1937","description":"\u003cp\u003eA pair of Cartier, Art Deco, ruby and diamond double clips, with a triple row, raised, bombé cluster of faceted, round and cushion shaped rubies, in claw settings, flanked by pavé set round brilliant-cut diamonds, in leaf shaped mounts, with a surrounding of baguette-cut diamonds, in end on settings, with three trapezoid diamonds, in rub over settings, mounted in platinum, signed Cartier London, numbered 7935 (worn), circa 1937, with later white gold clip fittings. Accompanied by I.A.J.A. Expertise certificate of authenticity number XP1751-020524.\u003c\/p\u003e","brand":"Cartier","offers":[{"title":"Default Title","offer_id":63797627912522,"sku":"XSC\u0026SL2321B9","price":95000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/pair-of-cartier-art-deco-ruby-diamond-and-platinum-clips-circa-1937_6f744579-a5fb-4134-b373-14316abf92f4.jpg?v=1791143018"},{"product_id":"marcus-natural-pearl-diamond-and-platinum-necklace-circa-1920","title":"Marcus Natural Pearl Diamond and Platinum Necklace, Circa 1920","description":"\u003cp\u003eA Marcus natural pearl, diamond and platinum pendant necklace. The central pendant has a diamond motif, with three diamonds in a lozenge, atop a five row splash of pavé set diamonds, topped with a pearl, with three diamond capped pearl drops, suspended from diamond set chain links. Either side of the centre pendant is a pearl, connected by diamond chain links, with a swag of rub over set diamond chain links below, suspending three graduating rows of diamond chain links, terminating with diamond capped pearl drops, onto a chain of natural pearls, on platinum wired links, signed, on the back, with M.\u0026amp;CO. in a cartouche, set with Edwardian-cut and eight-cut diamonds, mounted in platinum, on a jump and bolt ring clasp, circa 1920. With a scratched inventory number D2453, accompanied by GIA report number 2225723161 stating that the pearls are natural saltwater, of the pinctada species and freshwater pearls of the unionidae family, ranging from 3.20mm to 7.01 x 6.82mm in size.\u003c\/p\u003e","brand":"Marcus","offers":[{"title":"Default Title","offer_id":63797642166602,"sku":"S31124N","price":45000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/marcus-natural-pearl-diamond-and-platinum-necklace-circa-1920_635cf4ea-62ea-47e9-ac14-51de9f8bc6e4.jpg?v=1791143027"},{"product_id":"art-deco-spaulding-co-diamond-black-onyx-and-platinum-butterfly-choker-circa-1925","title":"Art Deco Spaulding \u0026 Co. Diamond Black Onyx and Platinum Butterfly Choker, Circa 1925","description":"\u003cp class=\"MsoPlainText\"\u003eAn Art Deco butterfly choker, by Spaulding \u0026amp; Co, with a central butterfly, with open wings, flanked by two butterflies, with closed wings, on sliding fittings to adjust their position, set with eight-cut diamonds, with a round brilliant-cut diamond in the thorax of the centre butterfly and Edwardian-cut diamonds in the thoraxes of the flanking diamonds, the wing edges are channel set with French cut calibré black onyx, mounted in platinum, with an eight-cut diamond set platinum box clasp, on a velvet choker, signed Spaulding \u0026amp; Co., made in Chicago, USA, circa 1925.\u003c\/p\u003e, \u003cp\u003e\u003cspan style=\"font-size:11pt;line-height:15.6933px;font-family:Calibri, sans-serif;\"\u003eSpaulding \u0026amp; Co. was founded by \u003c\/span\u003e\u003cspan style=\"font-family:Calibri, sans-serif;font-size:11pt;\"\u003eHenry Abiram Spaulding, born 1837, in Chicago, USA, in 1888. For a detailed biography, written in 1894 please see the link below:\u003c\/span\u003e\u003c\/p\u003e, \u003cp\u003e\u003cspan style=\"font-size:11pt;font-family:Calibri, sans-serif;\"\u003e\u003ca href=\"https:\/\/www.925-1000.com\/forum\/viewtopic.php?t=31329\"\u003ehttps:\/\/www.925-1000.com\/forum\/viewtopic.php?t=31329\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e, \u003cp class=\"MsoPlainText\"\u003eIn 1929 Spaulding \u0026amp; Co. Inc., Black Starr \u0026amp; Frost and Gorham Company were consolidated into a company called called Gorham, Inc. \u003c\/p\u003e, \u003cp class=\"MsoPlainText\"\u003eWith thanks to the New York Times and 925-1000.com\u003c\/p\u003e","brand":"Spaulding \u0026 Co.","offers":[{"title":"Default Title","offer_id":63797683355978,"sku":"S5424N","price":12000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/art-deco-spaulding-co-diamond-black-onyx-and-platinum-butterfly-choker-circa-1925_b80db05c-cc3f-4356-bcb2-ce1019f9790e.jpg?v=1791143071"},{"product_id":"georg-jensen-lapis-lazuli-ball-and-gold-cufflinks-designed-by-magnus-stephensen-circa-1960","title":"Georg Jensen Lapis Lazuli Ball and Gold Cufflinks, Designed by Magnus Stephensen, Circa 1960","description":"\u003cp\u003eA pair of vintage Georg Jensen lapis lazuli ball and 18ct yellow gold cufflinks, designed by Magnus Stephensen, with lapis lazuli balls, with some calcite and pyrite, encircled by a ring of gold, on fixed, flat, curved bars on flat oval plates, on hinges. Signed Georg Jensen, in dotted oval cartouche, design number 1104, 750 18K, made in Denmark, circa 1960.\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003eMagnus Læssøe Stephensen was a Danish designer of jewellery, furniture, ceramics, cutlery, flatware and hollowware. He was born on 12\u003csup\u003eth\u003c\/sup\u003e October, 1903 and died in 1984, in Helsingør, at the age of 81.\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003eMagnus Stephensen’s revolutionary approach to design did away with the extravagant flourishes of the time. Inspired by the simplicity of Bauhaus and Japanese arts and crafts, his designs focused on clean lines and practicality.\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003eHe enrolled at the Kunstakademiets Arkitektskole (Royal Danish Academy of Fine Arts, School of Architecture, Copenhagen, in 1924, to study architecture. He graduated in 1930. He then worked at the architects’ design studio of Edvard Thomsen and Frits Schlegels for a year. During 1931 he studied at the French school, in Athens and travelled in Europe, the Far East and USA. He returned to Copenhagen in 1932 and opened his own design studio. He continued to collaborate with Thomsen and Schlegels. During the 1930s Stephensen gained commissions for a great number of houses and buildings in the Copenhagen area.\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003eIn 1938 he started working with silversmith and designer Kay Bojesen, one of Georg Jensen's first apprentices, who became an important Danish silversmith and designer. Bojesen believed in functionalist design. Magnus Stephensen produced designs and drawings for silver, to be produced by Kay Bojesen. His designs from this period are simple, refined and smooth, inspired both by Kay Bojesens style and by Japanese handicrafts. Stephensen went on to write a book called \"Brugsting Fra Japan\" - \"Useful Things from Japan\". Stephensen's philosophy was that the function of a silver item should be apparent from its shape and form. The collaboration with Bojesen lasted until 1952.\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003eFrom 1952 he designed hollowware and flatware, both in silver and steel, for Georg Jensen. Among his most famous designs is the steel flatware, Tuja, from 1955 and the silver flatware, Fregat (Argo in English) from 1961.\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003eIn 1956 Stephensen started producing designs for ceramic pots and dishes for Royal Copenhagen and Alumina.\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003eHe closed his studio in 1971. He had one son, Jens Stephensen.\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003eStephensen's designs are exhibited in the Design Museum Denmark and in museums worldwide. He won the Eckersberg medal, in 1948, three gold medals at the Triennale in Milan in 1951 and 1957, for silver designs and two Grand Prixs at the Triennale in Milan, in 1954, for works in steel and silver as well as a silver medal in 1960.\u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003eWith thanks to Greg Pepin Silver, Utility Design UK and Georg Jensen Hollowware, The Silverfund Collection, by David A. Taylor \u0026amp; Jason W. Laskey, 2003\u003c\/p\u003e, \u003cp\u003e\u003c\/p\u003e","brand":"Georg Jensen","offers":[{"title":"Default Title","offer_id":63797713633610,"sku":"S20624CL","price":3900.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/georg-jensen-lapis-lazuli-ball-and-gold-cufflinks-designed-by-magnus-stephensen-circa-1960_431b9935-d7c5-4437-b9e6-ae0f9572ae09.jpg?v=1791143113"},{"product_id":"vintage-french-van-cleef-arpels-18ct-gold-stirrup-cufflinks-circa-1960","title":"Vintage French Van Cleef \u0026 Arpels 18ct Gold Stirrup Cufflinks, Circa 1960","description":"\u003cp\u003eA pair of French, Van Cleef \u0026amp; Arpels 18ct gold stirrup cufflinks, with a heavy ribbed design, with concealed openings in the centre and hinged white gold curved back plates, signed Van Cleef \u0026amp; Arpels, with French eagle marks, for 18ct gold, maker's marks, Brevette S.D.D.G. guarantee marks, design number GO753, with sections numbered 1 and 4, circa 1960.\u003c\/p\u003e","brand":"Van Cleef \u0026 Arpels","offers":[{"title":"Default Title","offer_id":63797722186058,"sku":"S18624CL2","price":2700.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/vintage-french-van-cleef-arpels-18ct-gold-stirrup-cufflinks-circa-1960_6fc1b421-3b26-4a07-bcdc-2f94b6b55fe4.jpg?v=1791143126"},{"product_id":"vintage-cartier-paris-gold-golf-club-tie-clip-circa-1940","title":"Vintage Cartier Paris Gold Golf Club Tie Clip, Circa 1940","description":"\u003cp\u003eA vintage Cartier Paris gold golf club tie clip, in the style of a \"wedge\" golf club, with a twisted rope grip, signed with hand engraved Cartier Paris, numbered P9853, with French eagle head marks, for 18ct gold and a maker's mark, circa 1940.\u003c\/p\u003e","brand":"Cartier","offers":[{"title":"Default Title","offer_id":63797761212746,"sku":"S26924M","price":3950.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/vintage-cartier-paris-gold-golf-club-tie-clip-circa-1940.jpg?v=1791143217"},{"product_id":"tiffany-co-art-deco-ruby-diamond-and-platinum-cocktail-watch-with-double-cord-strap-1942","title":"Tiffany \u0026 Co. Art Deco Ruby Diamond and Platinum Cocktail Watch With Double Cord Strap, 1942","description":"\u003cp\u003e\u003cspan style=\"font-family:Verdana, sans-serif;font-size:8.5pt;\"\u003e\u003cspan style=\"font-family:Verdana, Arial, Helvetica, sans-serif;font-size:11px;\"\u003eA Tiffany \u0026amp; Co., Art Deco, ruby diamond and platinum cocktail wristwatch, with a circular, white dial, with black Arabic numerals, signed Tiffany \u0026amp; Co., with blue steel hands\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family:Verdana, sans-serif;font-size:11.3333px;\"\u003e, with a winding crown\u003c\/span\u003e\u003cspan style=\"font-family:Verdana, sans-serif;font-size:8.5pt;\"\u003e\u003cspan style=\"font-family:Verdana, Arial, Helvetica, sans-serif;font-size:11px;\"\u003e,\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family:Verdana, sans-serif;font-size:11.3333px;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family:Verdana, sans-serif;font-size:11.3333px;\"\u003ewith a curved crystal\u003c\/span\u003e\u003cspan style=\"font-family:Verdana, sans-serif;font-size:8.5pt;\"\u003e\u003cspan style=\"font-family:Verdana, Arial, Helvetica, sans-serif;font-size:11px;\"\u003e,\u003c\/span\u003e\u003c\/span\u003e surrounded by Swiss-cut diamonds \u003cspan style=\"font-family:Verdana, sans-serif;font-size:8.5pt;\"\u003e\u003cspan style=\"font-family:Verdana, Arial, Helvetica, sans-serif;font-size:11px;\"\u003e in a circular platinum case. E\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family:Verdana, sans-serif;font-size:11.3333px;\"\u003each tapering shoulder is set\u003c\/span\u003e\u003cspan style=\"font-family:Verdana, sans-serif;font-size:8.5pt;\"\u003e\u003cspan style=\"font-family:Verdana, Arial, Helvetica, sans-serif;font-size:11px;\"\u003e with two rows of square-cut, calibré rubies, flanking a row of Swiss-cut diamonds\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family:Verdana, sans-serif;font-size:11.3333px;\"\u003e,\u003c\/span\u003e\u003cspan style=\"font-family:Verdana, sans-serif;font-size:8.5pt;\"\u003e onto links, set with two Swiss-cut diamonds, attaching a\u003cspan style=\"font-family:Verdana, Arial, Helvetica, sans-serif;font-size:11px;\"\u003e black d\u003c\/span\u003e\u003c\/span\u003eouble cord strap, \u003cspan style=\"font-family:Verdana, sans-serif;font-size:11.3333px;\"\u003ewith a folding snap clasp\u003c\/span\u003e. The watch is mounted in platinum, with a two part case, engraved on the back To S.M.R. from HH Nov. 28. 1942,\u003cspan style=\"font-size:8.5pt;font-family:Verdana, sans-serif;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family:Verdana, sans-serif;font-size:11.3333px;\"\u003enumbered 65857\u003c\/span\u003e\u003cspan style=\"font-size:8.5pt;font-family:Verdana, sans-serif;\"\u003e, the inside of the case is marked\u003c\/span\u003e\u003cspan style=\"font-family:Verdana, sans-serif;font-size:11.3333px;\"\u003e irid and plat and\u003c\/span\u003e\u003cspan style=\"font-size:8.5pt;font-family:Verdana, sans-serif;\"\u003e has a \u003cspan style=\"font-family:Verdana, Arial, Helvetica, sans-serif;font-size:11px;\"\u003ecrescent and arrow mark\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family:Verdana, sans-serif;font-size:11.3333px;\"\u003e, \u003c\/span\u003eand is numbered 45146, along with numerous service record numbers. The movement is signed C. H. Meylan, Brassus, Swiss, eighteen 18 jewels, 5 adjmts and is numbered 41325, with a crescent and arrow mark.\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63797767569738,"sku":"S25924W","price":9950.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/tiffany-co-art-deco-ruby-diamond-and-platinum-cocktail-watch-with-double-cord-strap-1942_b1a599f0-000f-40b3-994e-a7d93e6041e1.jpg?v=1791143246"},{"product_id":"tiffany-co-art-deco-diamond-pearl-and-platinum-pendant-watch-circa-1925-movement-currently-not-working","title":"Tiffany \u0026 Co. Art Deco Diamond Pearl and Platinum Pendant Watch, Circa 1925, Movement Currently Not Working","description":"\u003cp\u003eA Tiffany \u0026amp; Co., Art Deco, diamond, pearl and platinum lapel pendant watch, with a diamond set platinum bar pin, with safety catch fitting, with larger diamonds in the terminals, onto a diamond set bar, superimposed with a diamond set triangle, suspending three strands of natural pearls, on individual wire links, onto a rectangular, handmade, platinum, two part watch case, with an Edwardian and eight-cut diamond set, openwork, urn design, with a flower at the top, with an eight-cut diamond surround, in grain and pavé settings, with foliate engraved sides, at the base of the pendant is the winding crown, that is rub over set with three rose-cut diamonds, the watch has a rectangular, silvered dial, signed Tiffany \u0026amp; Co., with black, Art Deco, script Arabic numerals, with blue steel hands, \u003cspan style=\"font-family:Verdana, sans-serif;font-size:11.3333px;\"\u003ewith a curved crystal\u003c\/span\u003e\u003cspan style=\"font-family:Verdana, sans-serif;font-size:8.5pt;\"\u003e\u003cspan style=\"font-family:Verdana, Arial, Helvetica, sans-serif;font-size:11px;\"\u003e,\u003c\/span\u003e\u003c\/span\u003e surrounded by a foliate engraved edge, with a movement signed C H Meylan circa 1925. Estimated total weight of diamonds 2.10 carats. In our opinion the colour range is G to H and our opinion of the clarity is VS.\u003c\/p\u003e, \u003cp\u003ePlease note that the movement is currently not working and is due to be repaired.\u003c\/p\u003e, \u003cp\u003eC H Meylan 1888 to 1960- Charles Henri Meylan, circa 1842 - 1916. famed watchmaker, from a dynasty of Swiss clockmakers. He established a brand, in Brassus, in the Vallée de Joux, in 1878, then for ten years continued to train, travel and import watches. He worked in the USA for Waltham Watch Co. He returned to Switzerland in 1888 and founded the C H Melan factory, going on to establish a branch in the United States in 1928. He contunued to collaborate with the Waltham watch Co. and held three US patents., made a name for himself by being one of the first European watchmakers to bring \"complications\" to to a watch in America. Selling under their own name and making for Cartier, Tiffany \u0026amp; Co. and Van Cleef and Arpels. Meylan movements could be found in the watches of more than 110 different jewellers His son, Max, one of seven children, took over running of the company in 1916. The company made chronographs in the 1930s but due to family conflicts the business fell apart. They continued to do business in the USA, run by A R and J E Meylan, founded in 1937. Baume and Mercier took a stake in the business but C H Meylan of Brassus closed in the 1960s.\u003c\/p\u003e","brand":"Tiffany \u0026 Co","offers":[{"title":"Default Title","offer_id":63797772910922,"sku":"S241024W","price":14000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/tiffany-co-art-deco-diamond-pearl-and-platinum-pendant-watch-circa-1925-movement-currently-not-working.jpg?v=1791143284"},{"product_id":"modern-moira-pink-sapphire-diamond-gold-and-silver-rose-brooch-and-earrings-suite","title":"Modern Moira Pink Sapphire Diamond Gold and Silver Rose Brooch and Earrings Suite","description":"\u003cp class=\"MsoNormal\"\u003eA modern Moira pink sapphire rose brooch and earrings suite, comprising a rose brooch, with pavé set pink sapphire petals, edged with old-cut diamonds, with an old-cut diamond in the centre, with pink plique à jour enamel leaves, with old-cut diamond set centre veins, mounted in gold, onto an old-cut diamond set stem, in silver-upon-gold, signed MOIRA and numbered 5503, with a double pin, with a matching pair of rose earrings, with pavé set pink sapphire petals, edged with eight-cut diamonds, with a round brilliant-cut diamond in the centre, mounted in gold, with clip back fittings, with dropping posts. \u003c\/p\u003e, \u003cp class=\"MsoNormal\"\u003eMoira's eponymous collection was inspired by clients searching for unusual jewellery that just couldn't be sourced anywhere. Influenced by nature itself, Moira put together a collection representing the forms of flora and fauna, employing what are now rare traditional setting techniques, old-cut stones and enamel in its various styles. The plique à jour method resembles rich stained glass. These romantic pieces are set to become the heirlooms of the future.\u003c\/p\u003e","brand":"Moira","offers":[{"title":"Default Title","offer_id":63797843722570,"sku":"XDPei","price":35000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/modern-moira-pink-sapphire-diamond-gold-and-silver-rose-brooch-and-earrings-suite_bc673387-ca03-4800-b17c-f830f74b8a91.jpg?v=1791143363"},{"product_id":"vintage-andrew-grima-diamond-and-gold-bomb-ring-1969","title":"Vintage Andrew Grima Diamond and Gold Bombé Ring, 1969","description":"\u003cp\u003eA vintage Andrew Grima diamond and gold bombé ring, composed of an openwork dome of hearts, squares, drops, triangles and circles, randomly set with marquise, oval, baguette, pear and round brilliant-cut diamonds, on a tapered wide band shank, mounted in 18ct gold, signed GRIMA, with a London Hallmark, with an AG.Ltd sponsor mark and an O date letter, for 1969.\u003c\/p\u003e","brand":"Moira Fine Jewellery","offers":[{"title":"Default Title","offer_id":63797887828298,"sku":"XMT181124R1","price":16000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/vintage-andrew-grima-diamond-and-gold-bomb-ring-1969_f0f7b32d-7bce-4a6d-9a1b-ecc2bf4c40f1.jpg?v=1791143392"},{"product_id":"vintage-boucheron-diamond-and-platinum-dress-set-london-hallmark-1960","title":"Vintage Boucheron Diamond and Platinum Dress-Set, London Hallmark 1960","description":"\u003cp\u003eA vintage Boucheron, diamond and platinum, gentlemen's dress-set, comprising a pair of cufflinks, four buttons and a pair of collar studs, each with a round brilliant-cut diamond, grain set, in a directional satin finished flat square, superimposed on a polished disc, mounted in platinum, signed Boucheron, London, with London Hallmarks, with e date letters for 1960, on the reverse. The cufflinks have chain fittings, the studs have disc backs and the buttons have separate split rings. The set is in the original blue case, with dark blue velvet base and ivory silk lining, with Boucheron trademark logo.\u003c\/p\u003e","brand":"Boucheron","offers":[{"title":"Default Title","offer_id":63797910798666,"sku":"S24325CL1","price":11000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/vintage-boucheron-diamond-and-platinum-dress-set-london-hallmark-1960.jpg?v=1791143422"},{"product_id":"art-deco-tiffany-co-sapphire-diamond-and-platinum-double-clip-brooch-circa-1930","title":"Art Deco Tiffany \u0026 Co. Sapphire Diamond and Platinum Double Clip Brooch, Circa 1930","description":"\u003cp\u003eAn Art Deco Tiffany \u0026amp; Co. sapphire diamond and platinum double clip brooch, set with round brilliant-cut diamond, in pavé and claw settings and baguette-cut diamonds, in rub over settings and square-cut sapphires, mounted in platinum, in an openwork Art Deco stylised bow design, in channel settings. Signed Tiffany \u0026amp; Co. and stamped IRID PLAT, on the back of each clip fitting and hand engraved \"DMA\", on the back of the bar fitting, circa 1930.\u003c\/p\u003e","brand":"Tiffany \u0026 Co","offers":[{"title":"Default Title","offer_id":63798000746826,"sku":"S4725B2","price":21000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/art-deco-tiffany-co-sapphire-diamond-and-platinum-double-clip-brooch-circa-1930.jpg?v=1791143530"},{"product_id":"vintage-fred-sapphire-diamond-and-gold-earrings-circa-1960","title":"Vintage FRED Sapphire, Diamond and Gold Earrings, Circa 1960","description":"\u003cp\u003eA pair of vintage FRED sapphire and diamond earrings, each with a pear shaped sapphire and round brilliant-cut diamonds, swirling around the sapphire, in claw settings, with a pear shaped diamond at the terminal, mounted in 18 carat yellow gold, with two shepherd hook fittings to allow for pendant drops, in two different positions, for night and day wear and clip fittings, signed FRED Paris, engraved OR 750, with French eagle head marks, with GS maker's mark, for Guillemin Soudaine, circa 1960. Estimated total diamond weight 7.30 carats. In our opinion the colour is G and our opinion of the clarity is VS. Estimated total sapphire weight 1.30 carats.\u003c\/p\u003e, \u003cp\u003eFRED, was established in 1936, by Fred Samuel, at the age of 28, at 6 Rue Royale, in Paris. He was born in Buenos Aires, in 1908. He was the son of a French jeweller, who had immigrated to Argentina. His aim, with his jewellery design, was to capture the interaction of light, to become \"The Sunshine Jeweller\". He specialised in coloured gemstones and concentrated on craftsmanship and high quality finishes. His creations were distinctly modernist. He collaborated with Jean Cocteau, between 1962 and 1971 and other leading artists, including \u003cspan style=\"background-color:#ffffff;text-align:center;\"\u003eBernard Buffet, in 1971, Georges Braque, in 1972 and Miroslav Brozek, in 1979\u003c\/span\u003e. He had a love of sailing, which his sons followed. In 1966, his son, Henri Samuel designed a bracelet, inspired by sailing, made from a combination of steel marine cables and yellow gold rivets. He named it \"The Force 10 bracelet\", named after the storm level on the Beaufort scale, which measures wind force. FRED's designs have influenced many jewellers mid 20th century and modern jewellers. Fred Samuel died on 3rd October, 2006, in Boulogne-Billancourt, at the age of 98. Maison FRED continues his legacy.\u003c\/p\u003e, \u003cp\u003eWith thanks to the FRED website\u003c\/p\u003e, \u003cp\u003eGuillemin Soudaine's maker's was mark G S, separated by a tortoise. His mark was registered in 1955. His workshop was at 346 rue St-Honoré, Paris, France.\u003c\/p\u003e, \u003cp\u003eWith thanks to Petitcoeurjewellerybox\u003c\/p\u003e, \u003cp\u003e\u003c\/p\u003e, \u003cp\u003e\u003c\/p\u003e","brand":"FRED","offers":[{"title":"Default Title","offer_id":63798281306442,"sku":"XAZ17626E2","price":23000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1047\/8026\/7850\/files\/vintage-fred-sapphire-diamond-and-gold-earrings-circa-1960_eb764538-2c88-4406-8fe8-94fbbf895200.jpg?v=1791143836"}],"url":"https:\/\/moirafinejewellery.com\/collections\/signed-pieces.oembed","provider":"Moira Fine Jewellery","version":"1.0","type":"link"}